The DOB temporarily closed Blue Owl on Second near East 12th Street Tuesday after an inspection yielded 49 violation points, according to city records. 
Tony Award winner and Grammy nominee Ann Duquesnay joins historic St. Mark’s Church-in-the-Bowery to tell Good Friday story through blues music
WHAT: St. Mark’s Church in-the-Bowery provides worshippers with a unique, spiritually moving Good Friday experience with its annual Good Friday Blues. The service uses American blues music to recreate the Passion story of Jesus. Framed by powerfully rendered blues and gospel music, Good Friday Blues tells the story of the betrayal and death of Jesus as written in the Gospel of John.
WHEN and WHERE: Friday, March 29 from noon to 3 p.m. at St. Mark’s Church in-the-Bowery, located at Second Avenue and East Tenth Street.
This year’s performance marks the 12th year of this liturgy, a collaboration between The Right Reverend Catherine S. Roskam, Bishop Suffragan of New York; Otis, and the St. Mark’s Choir.
WHO:Duquesnay and composer-guitarist Ana Hernandez will join the talents of the St. Mark’s Choir and the Good Friday Blues Band. Liturgy dancers include Dawn Crandell and a dancer from the Vissi Dance Theater. Co-narrating the Passion are Vinie Burrows and Amelia V. Anderson. Leading insightful and thought-provoking meditations throughout the service will be the Rector of St. Mark’s, The Rev. Winnie Varghese and The Rev. Richard Witt and Nell Gibson.
Tattooed Bartenders Wanted!
Job Description
Upcoming Lower East Side / East Village Bar w/ Kitchen Looking for some New Staff for New Location!
Bourbon... Beers... Burgers... Blastin' Rock!
What we are looking for...
>> Male or Female
>> Age 21- 31
>> Professional, Reliable & Punctual
>> Experienced (Mixology a Plus)
>> Outgoing & Fun
>> Tattoo'd ( not a unicorn on your ankle kind of tattoo)
>> Non-Complete-Alcoholic
>> Social Media Savvy
>> Possible Following of Friends / Fans
As you know, there has been a bit of an uproar about Soho House expanding to Ludlow Street. Team Soho planned to be on next month's CB3/SLA committee docket.[T]he operators of the members’ club have decided to take some more time for community outreach before moving forward with their Lower East Side expansion plan, so the liquor application has been withdrawn, for now.
Name: Lucille Krasne
Occupation: Designer, Argentine Tango dance organizer
Location: 10th Street between Avenue A and B.
Time: 4 on Sunday, March 25
I’m from Tulsa, Oklahoma. I always wanted to live in New York and so I ended up making the big move to the East Coast while everyone else was making the move to the West Coast. This is the only place I’ve ever lived in New York and I’ve been here for 43 years. This is it.
I am so proud of Tompkins Square Park, which I consider my front yard. Important things happen here. When I first arrived here, I thought it was heaven, paradise on earth, because in the Park on May Day you had all the young people with big red flags celebrating May Day, Communism, Collectivism, and then you had a group of Ukranians with great big signs saying, “Free the Captive Nations,” free all the people in communist countries.
I’ve also seen it go through terrible times. In 1988, I was so stunned to find the entire place surrounded by helmeted police with nightsticks during the riots. I couldn’t believe what was going on. I remember the screaming when they were throwing out all of the homeless people from the Park. I know there were a lot of dangerous things going on, but it killed me to hear that. I was yelling, “Why are you doing this to those people?”
But it’s been wonderful for me since they closed the Park at night because I can now actually sleep. People used to scream and make noise all night. Noise has been a terrible issue in this neighborhood. For years I wanted to blow my brains out and everybody used to think of ways to try and stop the noise. There were also the car alarms. I’ve had a lot of tubes of lipstick that I’ve written on cars with.
I’ve had a very checkered career. When I moved to LA after college, one of my first oddball jobs was creating a hand-puppet show for the County Parks Department out of a converted park washroom. We eventually took it on the road and showed it to zillions of children and then had big puppet workshops all over the place.
When I moved here, I worked for an arts funding organization. It was the perfect job for me. Having no money, I was able to give away money that was provided by the New York State Council in the Arts and the National Endowment for the Arts. It was quite a wonderful organization. I was a traveling consultant and I went out to meet with all sorts of groups around the state having to do with issues of arts, saving interesting architecture, poetry groups, dance groups. I advised groups on how to stimulate the community to support them. My role was to instigate them to instigate excitement within the community and bring in more people. I also worked on prison projects and with migrant worker programs.
I also created a jewelry business with my sister for 10 years. We named it Krasne Two. We were designing imaginative accessories and jewelry. We made quite a splash but it is very hard to keep that kind of world going when you are limited financially and don’t have enough backing. It was fun while it lasted. Now I design floor cloths and murals and all kinds of accessories
And then I went into the Argentine Tango business. I fell in love with the Argentine Tango as so many other have. I first fell in love with the music and then I fell in love with the dance. If it grips you it grips you and you’re really caught. I helped start the first New York City tango festival, which was about the wonders of New York and the wonders of Tango. I took the Milanga (Argentine Tango Party) outdoors to Central Park about 15 years ago. I called it the hit and run tango because if the police came you ran. You find a beautiful place, free or pretty free, open to the public, attractive, and everybody dances like crazy and you expand this community, which was teensy weensy. I don’t run it anymore but it’s still going on every Saturday afternoon.
We now run a weekly Milonga at The Ukrainian on 140 Second Ave. on Wednesdays. It’s called “Esmeralda’s E.V. Milonga and Supper Club.” We dance from 6 to 11:30 and if you come between 6 and 7:30 and have dinner with us then you don’t pay the admission. You can listen to the gorgeous Argentine music and watch the fine dancing.
Despite periodic attempts to change the mix of retail, the block seems proudly resistant to change, even while the rest of the East Village has become more upscale, says William Kelley, executive director of the Village Alliance, the business improvement district responsible for keeping the area clean. “I think the office workers will bring a new audience,” Mr. Kelley said. “But I don’t foresee any sweeping changes here for the next 100 years.”
Community Board 3 and Cooper Square Committee are co-hosting:
Department of Buildings Workshop: How to Use Tools on the DOB website
Thursday, March 28 at 6:30pm
Seward Park Extension, Community Center
56 Essex Street (between Grand & Broome Streets)
Learn from DOB how to navigate their website to find out what is happening at an address, what permits have been issued, and how to submit a challenge. DOB will also answer frequently asked questions.
The Series was founded to showcase award-winning works from local and international filmmakers, and to celebrate the silver screen. Aiming to take cinema off the computer, and back on the big screen, the EVSF is dedicated to sharing important, entertaining, and challenging works of art with New York City.
The Film Series is a perfect opportunity for filmmakers to meet meet and mix, for old friends to get together and new friends to be made. Designed for everyone from cinephiles and to the cine-curious, the Series blends fine art and incredible stories, with a fantastic, comfortable environment, for a great evening of work by award-winning New York filmmakers. An event by a community, for a community.
Rival gangs of frat boys, sororisluts, suburbanite wannabes, tramps with stamps, and bridge & tunnel douchebags converge on our streets, and a bloody turf war ensues between residents and the drug and alcohol-fueled gangs. If Soho House comes, new gangs arrive with them - Jimmy Choo stiletto girls, newly minted tech-set, B-list models, I-bankers disguised in Thomas Pink and Gucci loafers, trust fund wannabe hipsters, expense account ad men, label whores, and Eurotrash. Our streets will become bloodier and messier than it already is, with the residents further outmatched by the increasingly uncontrollable mobs.
The L.E.S. will officially become the "Eastpacking", unless we as a community do something about it. We can choose to remain silent and compliant, marking our doors with black crosses in anticipation of the Soho House virus incubating at 139 Ludlow Street. Or we can rise up and fight back.
If not them then who? Soho House is not going to build up. They are going to save the look and integrity of the façade architecture. The fact that they are private keeps the crowds down, will be more low key… and so on. Imagine this: it is a large double wide lot- has at the very least 6 stories worth of air right to build up. Imagine a brand new 12 story luxury hotel or apartment eating up the block.
