Nick Zedd’s commitment to DIY artists’ film distribution helped sustain the MWF Video Club project. He will present and speak about his film work with Michael Carter of MWF. The program will include: The Bogus Man (11 min); Thrust In Me (8 min); Police State (18 min); War Is Menstrual Envy (excerpt; 9 min); Why Do You Exist (11 min); Ecstasy In Entropy (15 min); and Tom Thumb (3 min).
Nick Zedd coined and spearheaded the Cinema of Transgression film movement, directing forty-four motion pictures since 1979 and editing The Underground Film Bulletin from 1984 to 1990. Nick Zedd currently resides in Mexico City where he paints, writes screenplays, shoots videos, and publishes Hatred of Capitalism magazine. He recently presented films and artworks at the Kunst-Werke Institute for Contemporary Art in Berlin, and received an Acker Award for Lifetime Achievement in the Avant-Garde.
Michael Carter is a poet, writer, performer, and cultural critic, living in New York City. From 1982–92, he was the editor and publisher of the quintessentially East Village literary and arts journal/zine redtape, and from 1988 to 2003 he was codirector of the MWF Video Club.
As it stands, this stretch of Second Street was grandfathered into a general residence district, and doesn’t allow for any performances with cover charges. There was reportedly contact with the DOB to settle this issue, but the Living Room hadn’t heard any news as of last night. And they didn’t have the luxury of laying over the application another month due to landlord/lease constraints, so a vote had to transpire.
CB 3 committee booked IS 131 auditorium to handle the big crowd for the #CitiBike gripe session. 25 people showed up. pic.twitter.com/feIYrhrAKU
— Stephen Miller (@miller_stephen) July 16, 2013
All of the speakers so far have been very supportive of bike-share. One wanted to ensure station moved for construction is put back after.
— Stephen Miller (@miller_stephen) July 16, 2013
Linda Martella said she, too “likes the idea” of the program– just not in front of her store. Martella, owner of Veniero’s Pastry on East 11th Street, said the street is already narrow, and the Citi Bikes across the street took over seven parking spaces and impedes the flow of traffic, especially when there are delivery trucks on the commercial street.
“We are especially concerned with the holiday time when [customers] come to pick up their orders,” Martella said. “We now have lost these parking spaces, making it difficult for the customers to carry these orders out.”
St. John’s University is looking to lease space at 51 Astor Place, Lois Weiss at the Post reports today. As she notes, the building needs to rent about 50,000 square feet to a school to fulfill zoning requirements.But sources said the cost for the Fumihiko Maki-designed space is roughly $90 a square foot, and is not sitting well with some of the school insiders, who have been mortified by financial scandals that rocked the school over the last year and feel the high tab is not in keeping with its Catholic roots.
Name: Michael Duggan
Occupation: Antique Dealer, Archangel Antiques (334 East 9th).
Location: 4th Street Between 2nd and Bowery
Time: 7 pm on Saturday, July 13th
I’m from Allentown, Pennsylvania. I moved here because I was engaged at the time and the woman I was engaged to had gone to FIT and was a converter for Harvey Bernard, which was sort of a high-end woman’s line. She did all of the development for manufacturing and coincidentally that’s what my current partner does now.
I came straight to the East Village. This was the only place that made sense to me. Most of my friends lived on the Upper East Side at the time — that was where the younger middle class white people would move. It was the safe comfortable place, while this place was edgier. Our first apartment was on Rivington and Pitt Street.
I’ve lived in the neighborhood for 35 years now. When we moved here it was all empty lots. People had goats and chickens. People were camping in empty lots. It was a time when people didn’t want this real estate. I’ve lived above Raul’s Candy Store on Avenue B for 25 years now and we have such a great relationship with them.
This was also the area where you went out and everything crazy was going on. This was the place for people to come and misbehave. I was in fashion sales when I first moved here. I worked in fashion and furniture for the first 15 years I was here for Norma Kamali and then for Versace. I remember one night being out at Cave Canem, which later turned into Lucky Cheng’s, and I went in there and I’m dressed in a Zebra Versace suit since I was working for them. And someone said to me, “You know your friend is downstairs and you have to go and get her.” So I go downstairs and this woman is wearing the identical suit that I have on. They were like, “You have to take care of her, she’s a little toasted.” Here it turns out that it’s Princess Gloria. She was sort of the equivalent of Kim Kardashian of her time. Now she’s best friends with the Pope and her daughter is the editor at large for Vogue.
I work at the button shop on 9th street [Archangel Antiques]. The owners asked me to help them for a few days and I stayed for 20 years. We sell vintage buttons and antiques. We have 2.5 million vintage buttons from the 1830s through the 1950s. Gail, the woman I work for, had started buying maybe 30 years ago and now we predominantly sell our buttons for prototypes to design houses, like Ralph Lauren, J Crew, Anthropology, but also I sell to Boardwalk Empire and Mad Men since they need vintage buttons to go along with the vintage clothing. Everything is evocative of an era.
We’re going to be closing at some point next year. We actually have two storefronts and so there’s a lot of merchandise. The people I work with are in their 70s so it’s just, enough is enough.
Also, the generations have changed. Very few people are looking to buy for their homes anymore because no one has a substantial home life. Having been in and out of home furnishings, and also being a decorator, my house is filled to the brink. Everyone always asks me, “Do you live with your grandparents?” And I say, “No, I like living like this.” Cause for me, I’m kind of the person in the morning, I pull out my 19th-century silver tray and put out all my glassware and silver and have a normal breakfast and people don’t live like that anymore.
And I want to maintain my life. You want to take care of the things you have, those special things. But that also, I think, is a past lifestyle.
