
DanceFest photos in Tompkins Square Park today by EVG contributor Stacie Joy...














Four Grand Marshals will cut the ribbon at 12:45 pm on Saturday, releasing 10,000 dancers down Broadway as part of New York City’s 9th Annual Dance Parade and Festival. The four Grand Marshals span the diversity of dance – they are the renowned 84year old contemporary theater artist, choreographer and dancer of stage and screen Carmen de Lavallade, Alvin Ailey American Dance Theater Artistic Director Robert Battle, Dancing Wheels founder Mary Verdi-Fletcher, and pioneer of Indian bhangra dance in North America, DJ Rekha.
While the parade celebrates more than 75 styles of dance, this year, we honor especially the genres of contemporary ballet, Physically Integrated Dance, and dance in the Indian bhangra dance music community.
This year’s Dance Parade New York will celebrate the 25th anniversary of the monumental civil rights legislation embodied in the Americans with Disabilities Act. Ms. Verdi-Fletcher, whose physically integrated troupe was the first professional company in the U.S. to bring the talents of dancers with and without disabilities to the stage, will lead the parade while dancing in her wheelchair.
Manhattan Borough President Gale A. Brewer and Council Member Rosie Mendez today celebrated the Council’s passage of Int. 222, legislation requiring landlords provide tenants with advance notice for non-emergency repair work that will result in disruptions to building services.
The bill establishes a general baseline of 72 hours’ advance notice for most work. For work affecting elevators, the bill requires 10 business days’ notice for major alteration work and 24 hours’ notice for any other work that will suspend all elevator service for more than two hours.
This legislation, sponsored jointly by Mendez and Brewer, closes a gaping hole in the city’s tenant-protection laws, which currently provide no such advance-notice requirements.
“Tenants deserve fair warning and an opportunity to plan around disruptive maintenance work,” said Brewer. “It’s also no secret that no-notice quality-of-life disruptions labeled as ‘maintenance work’ are a frequent harassment tactic to push tenants out of rent-stabilized apartments. Our notice requirement will be easy for honest, everyday landlords and building managers to respect, but it will take another harassment tool away from abusive landlords.”
“This legislation codifies common sense and common courtesy,” said Councilwoman Rosie Mendez. “No longer will tenants come home from a hard days work to find out that work in their building is interrupting some basic service and/or possibly obstructing access to their apartment. This law requires that landlords notify tenants when such work will affect services and for how long.”
Many landlords and management companies already provide advance notice of planned repairs to tenants – but many do not. The reasonable notice requirements established by Int. 222 would help tenants plan ahead to minimize the impacts of these service disruptions on their lives, and also help tenants distinguish between disruptions for planned work on the one hand, and emergent service failures or landlord harassment tactics on the other.
The subject is a 5-story townhouse located on the north side of East 7th Street between Avenues B & C. Completed in 2001, 203 East 7th Street is approximately 6,920 SF and consists of 4 spacious apartments with high-end finishes.
Of the 4 apartments, 1 is duplexed on the ground floor, 2 are floor-through units on the 2nd and 3rd floors and the 4th and 5th floor penthouse is a duplex with private rooftop access. In addition to the penthouse, the 1st floor duplex and 2nd floor apartment benefit from private outdoor space at the rear of the property. 203 East 7th Street is the perfect townhouse for an individual or family looking to live in one of Manhattan's most exciting neighborhoods.
Due to the rise in residential condominium prices citywide, renovated townhouses have become incredibly challenging to find. Each unit is separately metered for heat (gas), cooking gas and electric. Therefore the building would also be ideal for an investor looking for a turnkey opportunity. The building is located just a half-block east from bustling Tompkins Square Park.
The building is steel and concrete in addition to being earthquake compliant and fire resistant.
Photos by New York-based photographers that speak to the theme “Cycle of Peace” will be showcased and for sale at the Museum of Reclaimed Urban Space (MoRUS) tonight through Sunday to raise funds for PEACE MUSEUM NY.
Curated by Catherine Talese, the exhibition opens tonight and run from 7 to 11 p.m. at MoRUS, 155 Avenue C between 9th and 10th Streets, with live entertainment by activist/musical duo Bethany Yarrow and Rufus Cappadocia at 9 p.m. Admission is free and open to the public.
The Cycle of Peace exhibit will be celebrated through the weekend at MoRUS with such live entertainment as Janet Restino, performing poetry on Sunday at 7 p.m. and Lorena Ambrosio performing on Friday at 9 p.m. While the exhibit remains on view at MoRUS on Saturday, Community Peace Events will be held at La Plaza Cultural Community Garden on 9th Street and Avenue C from noon to 6 p.m.
Co-sponsored by Times-Up!, a Peace Bike Ride will begin at the Gandhi Statue in Union Square on Sunday at 2 p.m.
visiting the East Village and its community gardens and ending at MoRUS.
Name: Rineke
Occupation: Retired, 'Many Things'
Location: East Houston
Time: 6:30 p.m. on Monday, May 11
I’m from Amsterdam. I moved to the city in 1991. Love brought me. I married my husband on New Year's Eve that year and we’re still married. Originally he’s from Philadelphia and he lived here.
He lived on 11th Street, next to an empty building that used to be The Ritz. Then Webster Hall opened. Things changed. The main ballroom, the techno was next to our kitchen. When they were really having a party the things that hold your pots on my stove would [vibrate]. When you sat on the toilet you could feel the vibrations in the water pipes.
If you can’t fight them, join them. So I went to work there as a receptionist. There were so many interesting people, weird people, wonderful people, but it was clear we needed to move because I couldn’t live like that. We had friends who wanted to buy something instead of paying rent, so I looked for a year and a half until we found something that we could afford and that was this house.
We bought it in 1994. It was an interesting period of time. My husband and the other person had [9-5] jobs, so they went to work. My husband was sometimes terrorized when he went to work because he had to wear a suit. But for women people were polite and respectful.
I came home once and I [noticed] a cleaver leaning against the front door. I thought, ‘that’s weird. I know if you have a fish head that’s not so good news if you find that.’ So I called the police and asked, ‘What does it mean if you find a cleaver leaning against your home?’ They asked me, ‘Do you want to be connected to lost and found?’ ‘No, I just want to find out if it means anything.’ ‘Oh, well hold on to it for a week because it might be evidence. If we don’t come back to you, just throw it away.’ The first year was full of these weird things.
I worked at the Amato Opera, but it’s closed now. It was funny because I was teaching arts and my husband retired. I wanted to do something and I discovered only then that there was this opera theater and they needed help in the costume department. I always made the costumes for school plays and we did Shakespeare. They said that I could come and help.
So the first season I did things and little projects and after the first season, the owner Anthony Amato asked, ‘Can you take over the costume department?’ I was scared to hell. When I started I didn’t like opera that much, but he changed that. When you’re exposed to something so intensely, you either run away or you develop a love for it. I worked until they closed in 2009.
Anthony was 89, I think, when he actually closed. He hoped his family could take over but it went different from what he imagined. There was nobody who really… it was impossible. He did everything, the auditions, the rehearsals, kept an eye on the finances, the scheduling, plus he would do the lights. He would install a new show every five weeks. He would direct; he was really amazing. Nobody can do that.
He wanted to help educate young singers. He was like a platform for young singers to experience and do a full opera. The big opera houses — you only get a chance when you are already there, but how do you get the experience? And sometimes people made it big and would happily come back to him and do a role, do a whole opera just for fun. That was a wonderful period.
Anthony was a short man, slightly taller than I am, but he was grand in everything he was doing. I’m so grateful that I had the opportunity to work with somebody like that. It was such an inspiration. He was very old. Who still works from early morning to late at night with all the things he was doing? He had a passion.
The funny thing is that everybody wants a long life but nobody wants to grow old. He was an old man but he kept doing what he wanted to do. He just went for it. That was inspiring to see that you don’t have to become a boring person. His energy… I’m jealous.
On Thursday May 14, Switzerland Tourism invites New Yorkers to experience the fun and freedom of bicycling in honor of Bike-to-Work Week. From 12:01 am to 11:59 pm, Citi Bike day-passes will be available for free at any Citi Bike station kiosk. This is the first time a partner has provided a free day of Citi Bike passes.
What makes Switzerland the perfect partner for Citi Bike? Easy: Switzerland offers 5,600 miles of cycling routes and 2,800 miles of biking trails as part of a program called SwitzerlandMobility. Switzerland is the place to go for anyone who wants to swap NYC's high-rise buildings for stunning mountain scenery and city bike lanes for well-marked cycling and mountain bike routes which crisscross a land full of surprises.
To ride New York City free on May 14 from 12:00 AM to 11:59 PM, riders just need to swipe a credit card and select the 24-Hour Access Pass option. No promo code is needed. A $101 security hold may be placed on the card. Standard overtime fees apply to trips that last longer than 30 minutes.
Vito Schnabel is pleased to announce the opening of First Show / Last Show, a group exhibition at 190 Bowery on May 16, 2015. Featured artists include Joe Bradley, Dan Colen, Jeff Elrod, Ron Gorchov, Mark Grotjahn, Harmony Korine, and Julian Schnabel.
“The artists included in First Show / Last Show are seven of my favorite painters. I have had the privilege of living with some of their works and have long wanted to show them together. There are very few artists whose work immediately conveys its significance, like each of these seven. They represent three generations of great American contemporary art, ranging in age from 35 to 85.
I grew up in New York City, walking by the former Germania Bank countless times. I always wanted to go inside, thinking it might be a perfect place for an exhibition. This is the first time this 1899 landmark building will be open to the public since the bank closed in 1966 and it became a private residence.
A 28-year-old East Village woman leaving Union Square Park was struck by a man who she said had been sitting across from her on a bench in Union Square moments earlier, a law-enforcement official said.
She told police that the suspect had been smoking Newport cigarettes, the official said. The woman said that as she left the park, she was hit on the head from behind by the man with a hammer.