But back to reality, here we go...the new occupant along this stretch...with the BC safe and sound for now.
Let the sunshine in....
Many thanks to our friend Cat Sitter for the tip!
“You have to dress for success,” says well-known casting director Bernard Telsey, whose company is casting the speaking roles in the “Sex and the City” sequel (but not Tuesday’s open-call audition). “If I were going for the socialite part, I’d come dressed to the nines. I’d see what people wore to the Met gala event.”
Short of not eating from now until Tuesday, chain-smoking and sipping Champagne while you wait in line to pass yourself off as a model, Telsey advises: “Dress like anyone you see in Vogue.”
The kiss of death, on the other hand, is obscuring your face. “Wearing an outfit that doesn’t show the shape and size of your face won’t get you the job,” says Telsey. Same goes for hairstyle, even if you’re passing yourself off as a supercool clubber.
“When you walk into the casting call, they immediately see if you’re right or not,” says Celina Carvajal, who was cast by Telsey as “City Girl #4,” aka a young Miranda Hobbs (the Cynthia Nixon character), in the first “Sex” film. “If you’re not right, [there’s] nothing you can do but make yourself as perfect as you can. You won’t get everything. It’s part of this business.”
[T]he Charles "provided the underground with it's first, semi-permanent base of operations." While the theaters tenure was short-lived (a little over a year--- beginning in 1961) it's legacy was quite impressive. "...it became a landmark of sorts in the creation of an American counterculture."
Jonas Mekas was hired by the owners of the Charles to organize some additional screenings. "Mekas was then in the early stages of his passionate commitment to American experimental cinema" but "had an eye for new talent"...and began holding monthly open screenings which turned out to be great social events. Some audience members quickly made the transition to filmmakers, while others acted/participated as critics.
In light of the above the Charles emerges as a "Great Good Place" because "it was the spiritual home of a particular utopian ideology, a place where the audience was not just the passive recipient of mass-produced fantasies, but an active community, producing movies for itself. The Charles therefore incorporated films and film making into an alternative sense of family and community through freedom and equality.
Dear Diary:
Growing up on 16th Street between Avenues B and C before Stuyvesant Town was built meant that respite from summer’s heat was available only if you went to the upscale movie theaters like the RKO Jefferson or the Academy of Music, both farther west on 14th Street. No such luxury could be found at the local movie house, the Bijou Theater, on Avenue B between 11th and 12th Streets.
This two-story theater was strictly a no-frills neighborhood flick house. But when the summer temperature inside became unbearable or cigarette smoke blurred the screen, the ceiling of the Bijou began to ever so slowly slide open from the center toward the edges to provide egress for both heat and Lucky Strike’s blue vapors.
For a 10-year-old like me it was magic — until a sudden thunderstorm came up and the rain began pelting the seats. The roof’s closing speed was also ever so slow, and people scrambled in all directions like it was a fire drill. When it finally closed, we all went back to our seats, gave them a swipe with a handkerchief and never took our eyes off the screen.
The Marx Brothers had their “Night at the Opera.” We had our nights at the Bijou.
Victor Washkevich
If you go dancing without first putting on deoderant, I will go on Yelp and write about how everyone in the club smells like ass , and how fair is that to the club, really? I mean it's not like Baraza washed the deoderant off all these dudes as they were coming in the front door...at least, I don't think.
Let me explain something. There are a few things that I do without fail when I go out dancing. Actually, scratch that. When I leave the house. I brush my teeth. I put on clothes. I put on deoderant. Why, patrons of Baraza, do you not do the same? I was lucky enough to receive several offers to Latin dance throughout my evening there and it was good to know that I didn't need the cash-only bar to end the night passed out, since I was sure to pass out on the stench of body odor alone coming off my potential suitors. If you see someone tackling dudes as they come inside and rubbing them down with speedstick, that might be me. Watch out. Or wear deoderant. Your choice.
East Village residential development opportunity, with a curb cut. Currently a vacant, one story garage on East 10th street between C and D. This site has plans for a seven story, 18 unit, residential building, w/ a total of 16,793 gross SF above grade which includes a 3,679 SF parking garage. Prior to the June 30th 421-a deadline, the plans were submitted to DOB enabling the full property tax exemption benefits. Another option is to file an ?alt plan? and develop the property to custom specifications while still maintaining the 421-a tax benefits. This is a unique project for a developer or user and is ready to go.
It’s the Cooper Square Hotel, a whimsical glass sliver that doesn’t just stick out among the nearby tenements but more or less taunts them, declaring them holdovers from a frumpier East Village past. The hotel tries to claim the neighborhood around it as a party zone on a homogenously slick, glossy par with South Beach or West Hollywood.
Not all the neighbors are amused. Some have responded to the din of chatter and generic lounge music coming from the hotel’s second-floor terrace by hanging dirty briefs and the like from a clothesline readily visible to the revelers. It’s a campaign of undermining by underwear.
I spotted only one sad, fluttering garment on the evening when I ate on Table 8’s street-level patio. And it did less to ruffle my serenity — the patio is a pretty, breezy treat — than the door that crashed into the back of my chair when someone decided to step outside. Placing a table for diners smack in the door’s way exemplifies the curious planning at which Table 8 excels.
Summit Entertainment is casting New York City extras for the Robert Pattinson film, Remember Me!
Grant Wilfley Casting is seeking local SAG New York City people for "Remember Me" extras to work through mid - August 2009:
* Hipsters, Rock N Roll East Village types;
* NYU student types;
* NYPD;
* FDNY;
* Washington Square Park Types (musicians, dealers, Rastas, artists, etc..);
* nanny types;
* real clowns with own make-up and props.