
Today's weather, in summation... photo in Tompkins Square Park today via Bobby Williams...
It was reported to police that on Saturday, June 8, at approximately 12:30 p.m., at a residential building in the vicinity of East 6th Street and 2nd Avenue, the male forced open the building's rear exterior door to gain entry into the building's rear courtyard. Once inside, he removed the 33-year-old male victim's bicycle.
The person wanted for questioning is described as a light complexioned male; last seen wearing a dark colored baseball cap, a black hooded sweater, black pants and light colored shoes.
Mr. Overstreet belonged to a generation of contemporary African-American visual artists who came of age in the civil rights era and addressed the burning political issues of the day in a wide variety of forms and styles, from overt protest work to the subtlest geometric abstraction.
He was particularly notable for removing canvases from the wall and suspending them in space, giving painting a sculptural dimension. He saw such pieces as, among other things, experiments in how to situate art and viewers in physical space.
Overstreet was born in 1933, in a primarily African American and Choctaw community in rural Mississippi. During the Great Migration, he moved around often with his family, eventually resettling in the Bay Area. In addition to studying at the California College of Arts and Crafts and the University of California in Berkeley, Overstreet learned from the modernist artist and advocate Sargent Johnson, who became an early mentor.
After moving to New York City in 1957, Overstreet started hanging out at Cedar Tavern, the Abstract Expressionist haunt. A participant in the Black Arts Movement, he also collaborated with Amiri Baraka as the art director for Harlem’s Black Arts Repertory Theatre and School. Overstreet’s work was featured in Tate Modern’s exhibition “Soul of a Nation: Art in the Age of Black Power” in 2017.
We did not realize, as we began our personal tour of the incredible collection that Overstreet and his wife Corinne Jennings have amassed over the last four decades, that this would become one of the highlights not only of our walk across 2nd Street, but perhaps one of the most memorable experiences we have had on any street.
Had we not been personally escorted through the unmarked double doors that lead to Kenkeleba Gallery, we might not ever have known it was here. The only sign on the building reads Henington Hall, etched into the stone facade along with the year it was built, 1908.
According to Overstreet, in the 70s the building was condemned until he and his wife were able to strike a deal with the city in 1978. Although 2nd Street was teeming with drug activity back then, the arrangement proved worthwhile for Overstreet, as it gave him, his wife, three children and the emerging Kenkeleba House a home in an area that eventually cleaned up its act and became one of the most important neighborhoods for the arts in New York City.
Gem Spa is open! Contrary to rumors that are circulating we are not closed and very much open for business. However there have been some changes. We have been forced to clean up our storefront and scale back our hours due to landlord and staffing issues.
The Zoltar machine was removed by its owner due to our scaled-back hours in order to prevent vandalism. A couple of months ago, we lost our cigarette and lotto licenses [a negligent employee sold cigarettes to an undercover minor] which made up for 80% of our revenues. This has significantly impacted us and as a result we have had to cut back on things such as newspapers and magazines as we simply cannot afford to carry them at this time.
We will resume carrying limited titles in about four months once we get our cigarette & lotto licenses back. Thank you to our loyal and beloved customers for their outpouring of love and support. We hope to see you soon!
The two artists were close friends and collaborators for 25 years. This show includes major works from their estates and private collections.
It will also feature a video compendium of Bill Rice’s performances in underground film and theater compiled by Jacob Burckhardt as well as Morrison’s short film "Bust," featuring David Wojnarowicz that was included in the recent survey of photographs and films of Wojnarowicz at the KZ Museum in Berlin.
In the rear gallery there will be a selection of works by their peers and friends, including Peter Hujar, David Wojnarowicz and Zoe Leonard.
This year the EVIMA has produced some essential East Village Pride merchandise, including tote bags, tank tops and posters for merchant windows! Use #EastVillagePride to share your photos.
We are excited to celebrate our powerful history and our unique diversity that is so prevalent throughout the East Village.
Residents can pick up their East Village Pride swag at the following participating establishments while supplies last:
• Exit9 Gift Emporium, 51 Avenue A
• East Village Vintage Collective, 545 E. 12th St.
• Random Accessories, 77 E. Fourth St.
• Lancelotti Housewares, 66 Avenue A
• Downtown Yarns, 45 Avenue A
• Lucky Bar, 168 Avenue B
• Jane's Exchange, 191 E. Third St.
• Pageant Print Shop, 69 E. Fourth St.
It was also quite dark. A lot of the rooms were heavy on dark drapes and dark wood furniture. Some rooms were painted purple or turquoise, and it seemed like each floor had two bedrooms — like an old-style tenement building. Every floor had multiple portable fireplaces.The Post previously reported that the building had 16 apartments and that the rooms were used more as "crash pads" for visiting members rather than full-time residency.
The ground-floor garage space was being used to store demolition trash and contracting supplies, but the main space on the ground floor was a bar/lounge with wood paneling and boarded-up windows.
Behind the bar, there had been what looked like surveillance equipment from camera monitors outside. There was also a doorway to a small patio/garden with a picnic table.