Which reminds us of the heady days of this past summer...
Aug. 22
Aug. 16
"smoothies made with a shot of espresso in them. There is also one with chai and one with mate."
Tyson Beckford knows how to leave an impression -- and skid marks. The supermodel partied with Ice-T and Coco at La Pomme on West 26th Street the other night. After letting everyone know he is the new face of Aprilia, he hopped onto his imported, custom-made $20,000 motorcycle and tore up the street by doing donuts to wow the crowd.
But the recession took a toll, as did customers’ continuing exodus to Brooklyn’s cool neighborhoods — and the $11,000 monthly rent. "It's hard to be competitive on this strip, and we just weren't doing the volume anymore," said Kevin Cole, 39, one of the four owners and an experienced pizza maker, as well as the front man for the rock band the Turbo A.C.'s.
New York City’s pedicab business, by most accounts, began on an East Village side street circa 1995, as a close-knit collective of tricyclists squeezed into a garage next door to the Hells Angels. Tap dancers, undertakers and striptease artists were among the first drivers.
But as the business grew, so did its troubles. Hundreds of new bike operators arrived, pestering tourists and testing the city’s tolerance.
On Saturday November 21st from Noon to 3:30 PM, join host and MC Cemi Guzman at The Bowery Poetry Club (308 Bowery at 1st Street, F Train to 2nd Avenue), for a celebration of the work of The Lower Eastside Girls Club of New York.
Following in the footsteps of his father, actor and activist Luis Guzman, Cemi is producing this fundraising event as his high school senior year Capstone Project. “This is a way for me to honor my family’s Lower East Side roots and support a really exciting youth organization, one that is creating the next generation of leaders,” Cemi told his faculty advisor.
As organizer and MC of this event, Cemi has put together an exciting line-up of talented performers and local artists. Teens (and their adult friends and supporters) will be entertained by:
· Speakers: Luis Guzman, Liz Murray and author Ivan Sanchez
· Performances by: Cuculand from Yerba Buena, La Bruja, Kess (from the L.E.S), Krazy Race (From L.A), Mike Imperiale (From L.E.S) & Leon Heartman
· Comedy: Ruperto Vanderpool
· And dropping by to talk about art: Local fashion designer Victoria Keen, the one and only Lee Quinones, one of the originators of graffiti and New York Street Art
Admission to this event will be sliding scale for adults (tix sold at the door for $20 and up). Youth are being asked to bring a donation of canned or packaged food, which will be donated to the Middle Collegiate Church Food Pantry.
For more information about the Girls Club visit www.girlsclub.org.
In Shakespeare's day, audience members heckled actors by hurling rotten fruit. But a few weeks ago, when Law's yoga session was interrupted, the fruit flew in the opposite direction.
"He noticed we were there and we started waving at him. Then he went inside and came back with two oranges," freshman Neha Najeeb told The Post. "He threw them at our window, but he missed." Law then went back inside and returned with two additional oranges, she said.
"This time, he hit the windows -- there was orange pulp on the glass for a week -- and then he went back to working out," she said. "Now we don't like Jude Law anymore."
And here, the ground rules of Mexico City are in effect—no guacamole, no sides of rice and beans, and a staunch anti-burrito position. Drop by at the start of a long night and you'll get a grilled tortilla doused with six different imported chilis, created by a guy who's eaten his way around the Mexican capital. Or specials like the Mil Máscaras: a trio of tortillas piled with cecina steak, Oaxaca cheese and enough bacon to make sure you're ready for the various tequila menus of the East Village.
Miller used dimensional type to engage and activate multiple planes and architectural surfaces. The building identity, for example, is optically extruded letterforms that appear "correct" when seen in strict elevation, but distort as the profile of the letter is dragged backwards in space. The top half of the letters, appearing on one plane of the canopy, are dimensional, while the bottom half are cut out of another plane, echoing the transparency of the building's skin of perforated stainless steel.
What’s happened on the Bowery is surely gentrification, although the distance from five-buck flops to $500-a-night luxury suites cries out for a stronger term. I see something else: a lesson in urban ecology. The places where it’s possible for new architecture to thrive in Manhattan are generally those districts where the political clout of civic groups is the weakest. In Greenwich Village or on the Upper East Side, the community boards and neighborhood activists rush in like SWAT teams to counter development threats. But on the former skid row, the power to say no to development isn’t as strong. A preservation-oriented downzoning of the East Village, approved late last year, left out the Bowery. Development on the west side of the street is moderated by the low-density zoning of the Noho Historic District and the Little Italy Special District. The east side of the Bowery, where most new development has taken place, was left undefended. While an organization called the Bowery Alliance of Neighbors has tried to have rules put in place to limit buildings on the east side of the Bowery to eight stories, that strip is still approved for what the city’s Zoning Handbook calls “high bulk.”
One time, shortly after the completion of the massive apartment complexes that now face the Bowery on the north and south sides of Houston Street, I emerged from a nearby subway station — something I’d done literally hundreds of times — and had no idea where I was. The new buildings, the hopelessly bland Avalon Bowery Place and Avalon Chrystie Place, developed by a large real estate investment trust, had wiped out my sense of place.
By contrast, the architect Carlos Zapata’s Cooper Square Hotel has emerged as a landmark. But not all landmarks are created equal. The glassy 21-story tower, which borrows its milk-colored glass and swoopy style from Frank Gehry’s much nicer IAC headquarters on the West Side, is wedged so tightly between the neighboring tenements that it appears to be a cartoon illustrating the evils of overdevelopment. I attended a party in the hotel’s penthouse that was a total mob scene, but on the afternoon of a recent walking tour, I found the public spaces ghostly and depopulated. I’ve heard that its East Village neighbors have coined a nickname for the Cooper Square: “Dubai.” And as I sat by myself in the back patio, the building prompted the exact question I found myself asking all the time in Dubai: Who is this place for?
On a recent night, a group of freshmen girls (and several boys) on the ninth floor of Hayden residence hall fought each other for a spot at the window in a dorm room. They all pressed their faces against the glass, straining to catch a glimpse of someone a few floors below in the building behind Hayden.
The word was spreading — Jude Law had officially moved in next door.
"We didn't even know he lived here," Tisch freshman Erica Rose said. (Her room is where the students gather to spy.) "I just came home one day and the entire floor was in my room staring out the window," Rose said.
LSP freshman Bryan Hall said he feels bad for Law.
He said: "He moved in next to a freshmen dorm, so he'll always be ogled by freshmen girls."
Live the uber-bohemian lifestyle in this swanky lil' East Village pad. Unit features exposed brick, tasteful interior design (thanks, tenant!), and an ENORMOUS, beautiful, bucolic tree (outside the window, of course). There's also an entirely separate eat-in kitchen (how many studios have that?!), a walk-in closet (or that!?) and this really old, really cool looking woodsy-like floor material that was probably carried over from the old country on some poor shlub's back. Oh, and the apartment is on the third floor in a walk-up building, which is an ASSET: keep your body up to the standard of all the slinky lil' hipsters in the nabe by running up and down the stairs. Old-world wood flooring, new-world body-molding...an ideal combination of the contemporary and yesteryear.
Hello E.V.,
As a travel blogger, we would like to introduce you and your readers to one of the newest and most artistically robust hotels to debut in NYC in recent years, The Surrey. The hotel debuted on November 12 in Manhattan's most exclusive neighborhood, the Upper East Side, and it premiered with an extensive art collection — including works by Jenny Holzer, Jimmie Martin, Richard Serra, Donald Sultan and William Kentridge — and 3-star, in-room dining by Cafe Boulud.
Built in Beaux-Arts architectural design, The Surrey has just concluded a $60+ million dollar re-creation by renowned architectural and interior designer Lauren Rottet, FAIA, IIDA. Beaux-Arts/Art Deco custom-designed furnishings and fixtures fill the walls of this 1900s structure with pieces such as hand-painted armoires and ornate walnut cabinetry. Sprinkled throughout the 17 floors, guests also encounter captivating black & white photos of New York and unexpected graffitied pieces.
The Surrey features 190 salons, including 30 suites, a Penthouse and a Presidential suite, that range from 350 to 4,500 square feet. At the heart of all salons and suites is the handcrafted DUX bed by Duxiana, engineered for perfect support, and dressed in Sferra bedding.
As an introductory package for your readers at EV Greive, we would like to offer a special Intro Package that includes a complimentary room upgrade, a welcome gift, breakfast for two, and much more. For more information please visit http://www.thesurrey.com/Introductory.