Saturday, December 3, 2022
Noted
Checking in on the Bowery mural wall
As previously noted, people had been tagging the motorcycle mural by David Flores, the last commissioned art for the space.
This prompted Jessica Goldman Srebnick, co-chair of Goldman Properties and curator of this wall, to issue a statement on Instagram in late May:
The creative process is an utter joy to watch. Filling a fire extinguisher with paint and spraying to destroy a work of art is not talent. It is sad and not only ruins the opportunity for countless artists, it ruins the opportunity for a neighborhood to live with glorious world-class art. The Houston Bowery wall could be just another advertising wall, but we’d prefer it to be a powerful beacon of the best of a movement.For now, we don’t wish to wipe away what’s been done, we are simply taking a break...
Since then, the motorcycle has been covered with layers of new tags.
Celebrating 'Sunday Matinee' this Saturday (TODAY!)
The event, from 5-7 p.m. at the shop, 210 Thompson St. (between West Third and Bleecker) in Greenwich Village, includes a Q&A between Smith and Drew Stone of the New York Hardcore Chronicles.
And at 9 p.m., there's an after-party at 96 Tears, the new bar-venue dedicated to Howie Pyro at 110 Avenue A at Seventh Street (the former Tompkins Square Bar).
You can read our Q&A with Smith (seen below in the 1980s!) right here.
Friday, December 2, 2022
Sweet 'Nothing'
Don’t Know What You're In Until You're Out is the just-released second record from the Philadelphia-based band Gladie ... the video here is for the anthemic indie-pop track "Nothing."
They'll be at the Bowery Ballroom on Dec. 16, though that show is sold out.
P.S.
Today is Bandcamp Friday, where the platform waives its revenue share, and all earnings go to the artists.
Season's greetings!
To whoever stole every package delivered yesterday — I hope you enjoy Hell. :)
The area behind the Tompkins Square Park fieldhouse is back open to the public
Photos by Steven
Updated 12/5: The area was locked up once again ...
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After three-plus weeks, the area of Tompkins Square Park behind the fieldhouse/office is back open to the public...
The gates had been locked since at least Nov. 8. There wasn't any signage to explain why this part of Tompkins was closed off to the public.
And there were mixed messages about the reason... one employee claimed this happened after Sue Donoghue, commissioner of the New York City Department of Parks and Recreation, paid a visit and saw used needles in this area. (The Parks Department did not respond to previous requests for comment.)
Later, two Parks employees told EVG contributor Stacie Joy that there is/was a broken pipe in the basement of the fieldhouse.
For now anyway, you can visit this area to check out the Slocum Memorial Fountain or take in some remaining foliage...
Part-time faculty at the New School reject university's latest contract offer
Since Nov. 16, some 2,600 part-time faculty members at the New School and the Parsons School of Design have been on strike. According to these instructors, they have not received a raise in four years — representing an effective pay cut of 18% when adjusted for inflation, as Gothamist noted. EVG contributor Daniel Efram reports on the latest developments this past week. All photos by Daniel Efram.
At a cost of more than $350 million, the New School's University Center, located at Fifth Avenue and 14th Street, was designed to meet the U.S. Green Building Council's Leadership in Energy and Environmental Design standards, making it one of the greenest academic buildings in the country.
Nothing was left to chance with the design; even the stairways inside were designed to foster community inside and outside the building encouraging "chance meetings."
Details matter. At this unique time in the school's history, it's fascinating to note that the University Center's facade is emblazoned with a course title like "Artists As Activists." Little did the school administration understand that its own public-facing ideology could be used against them as accusations of hypocrisy and lack of equity were shouted forth by dozens of faculty and students that marched side by side with the ACT-UAW Local 7902, the part-time faculty union, on opposite sides of Fifth Avenue on Monday.
The rallying team — sometimes arm-in-arm, and most of the time with a brass band performing — held signs that illustrated their frustration with the negotiations, including "Rogue Capitalist Employer," "No More Unpaid Labor, Pay The Profs," and "Fuck Institutional Greed Respect Educators."
"Part-time faculty have not gotten a raise since 2018," said Rachel Aydt, a 20-year part-time New School/Parson faculty member. "And the increase being offered amounts to 1.8% per year, which does not come close to the cost of living increases in New York City during this time."
According to Annie Lee Larson, part-time faculty at the New School/Parsons, roughly 87% of the teaching faculty are part-time. They seek fair compensation, including for work performed outside the classroom, reliable health care, tangible recourse against discrimination and harassment, and job security.
Though negotiations began in June, an agreement has yet to be reached. This past week, 95% of the faculty voted against accepting the last and best New School offer.
"The University is attempting to unilaterally implement their final offer against the will of part-time faculty without having reached an agreement via mutual consent via the collective bargaining process," Lee Larson said.
She said that the New School does a great job of promoting an environment of social justice and promoting its brand of progressivism.
"They put forth this image to students when they are deciding to come to school here that everyone in this community is cared for and is treated with equity, and they are finding out in attending school here firsthand that is not the case," Lee Larson said. "This strike is bringing a lot of attention to that. The students should be made aware of these atrocious working conditions."
Holy smokes! 2 more unlicensed weed shops pop up in the East Village
Photos by Steven
Up top, we have Giggles Convenience (so many smoke shops, so few names left!), coming sooner than you think on First Avenue, just below Fourth Street. Signage includes a skeleton in a hat smoking from a bong.
And on Ninth Street between First Avenue and Second Avenue, Pride Smokes is offering "foreign snacks" and various items you can find in the other few dozen shops that have debuted of late...
Late last month, 28 individuals and businesses and eight nonprofits were designated Conditional Adult-Use Retail Dispensary (CAURD) licenses by the state Office of Cannabis Management ... for a total of 36 licenses statewide, per published reports.
The Times had a piece last week titled: "How New York City Became a Free-for-All of Unlicensed Weed."
Excerpt!
The sleek dispensaries and tacky bodegas are part of an explosion of unlicensed cannabis shops that have opened in New York over the past year as part of a rush to cash in on the state's legalization of cannabis. Now on the eve of the launch of the state's legal market, the authorities face growing pressure to address the shops, which have created confusion among everyone from tourists to police officers.
And...
The Police Department explained in an email to The New York Times that, in its view, the legalization law does not give officers the authority to make seizures or arrests when they see cannabis displayed or to shut down unlicensed shops. "The law only provides an enforcement mechanism if an actual sale is observed," its public-information office said.
Meanwhile, a survey (results here) conducted by the New York Medical Cannabis Industry Association found the presence of potentially deadly E. coli, salmonella and pesticides in many products from 20 unlicensed stores that publicly advertise selling marijuana, as Bloomberg reported.
As the Post noted, the study also found that there are "likely tens of thousands of illicit cannabis businesses currently out of bodegas, smoke shops, or other retail locations" that are licensed to sell other products.
The new recreation space at Pier 42 gets its official welcome
The space opened without any fanfare on Oct. 8. (You can read our post here about it.)DDC joined @NYCParks, @NYCEDC, elected officials, and members of the community to cut the ribbon on the new recreational deck at Pier 42—an #ESCR mitigation project. It features a turf soccer field, tennis courts, and more, with access to the waterfront. https://t.co/0VCCFO2kq0 pic.twitter.com/kfTCwtrcQJ
— NYC DDC (@NYCDDC) November 30, 2022
And coming next summer, per the city's press release on the grand opening:
Parks is working on a related project to develop Pier 42's passive "upland park" section, which is slated to be completed in late summer 2023. The Upland Park was conceived as part of the Pier 42 master plan, created by Parks in 2012 ... The upland park will provide much-desired green space for the densely populated Lower East Side neighborhood. The pathway network throughout the linear park is inspired by the flow of water — a primary path with offshoots along its weaving line. It will also include an entry garden, a playground and a comfort station.
You can access the amenities at Montgomery Street/South Street at the entrance to Pier 36. Our previous post about it includes a Google map in case you want to find it and see the space for yourself.
Thursday, December 1, 2022
Tree-mendous work taking place
And maybe more trees are on the way elsewhere in the neighborhood?
'Tis the season for the 3rd & B'zaar Holiday Market
Photo by Stacie Joy
Once again, you can find vintage goods, art, holiday wear, jewelry, accessories, housewares, and more created by 30 local designers, artists and merchants through Dec. 24.
New vendors include Shorebird Vintage (@shorebird_vintage) and Case en Pointe Bags (@caseenpointebagsnyc). Meanwhile, local resident-entrepreneur Kadidja Kabore-Lamport is making a 3rd & B'zaar return with her natural beauty products.
The market will also be selling items from La Sirena on Third Street. While La Sirena owner Dina Leor is not a vendor, the 3rd & B team are big fans of her Mexican folk art and did a wholesale order with her.
Hours: Wednesday through Sunday, 1-7 p.m. There's a special evening event on Dec. 17 with extended hours from 7-9.
Construction watch: 699 E. 6th St.
Photos by Stacie Joy
The 6-floor residential building rising on the NE corner of Sixth Street and Avenue C is in its unglamorous cinderblock phase as work continues ...
As previously reported, the residential building will include 11 units, a storefront and space for an unspecified community facility on this long-vacant corner. (A gas station was the last tenant here in the 1980s.)
The plywood rendering has not been updated, and still lists a fall 2022 completion date...
Previously on EV Grieve:
On the topic of long-vacant lots
Despite this, the broken purple office chair that has been here for weeks remains in place...
There is some new news here. The Department of Buildings has given partial approval for permits to construct a 6-floor building with eight residential units (condos?) and ground-floor retail. (The permits had been pending since May 2020.) In total, the proposed structure is 8,183 square feet.
In 2017, the city never approved plans for a similar-sized structure — eight units, six floors.
There isn't any timeline on when construction may commence here.
This previous EVG post has more about the space's history.
Wednesday, November 30, 2022
Noted
Multiple readers shared this clip via @whatisnewyork... someone decided to scatter the rats gathered in trashbags outside 13 (and 15) St. Mark's Place between Second Avenue and Third Avenue...
6 posts from November
• Baker Falls will bring together a cafe, bar and the Knitting Factory at the former Pyramid Club on Avenue A (Nov. 28)
• The last days of Raul’s Barber Shop (Nov. 26)
• Middle Collegiate Church seeks permission to demolish the remaining façade of its fire-damaged structure on 2nd Avenue (Nov. 22)
• A visit with Moxie, a nearly 8-year-old East Village photographer with an eye for nature (Nov. 16)
• A visit to Azaleas, celebrating 20 years in the East Village (Nov. 15)
• Basquiat's former loft space on Great Jones is available for lease (Nov. 7)
Tree down on 3rd Street
The FDNY arrived on the scene to clear the tree from the street...
Lower East Side mainstay El Sombrero has closed
Photos and reporting by Stacie Joy
El Sombrero, aka the Hat, which has anchored the corner of Ludlow and Stanton Street for decades, will not be reopening.
Paper has covered the front windows here, leading to speculation about the Mexican restaurant's future.
Owners Junior and Judy Almonte, seen here on Monday, confirmed the closure to EVG correspondent Stacie Joy...
While the restaurant is closing, the Almontes said that they may reopen in another location at some point. Meanwhile, Junior said that they were selling items and supplies from the restaurant. (Interested parties can contact them via social media.)
Pandemic aside, Junior cited the rising food costs and challenges of hiring staff as well as some personal health concerns as the reasons behind the decision to close.
Distance was also an issue, as the couple, who have four children, now live in New Jersey.
With business in decline, the restaurant closed in March 2014 ... Junior, related to the original owners, refurbished the space and reopened it in November 2014. 
Given this high-profile LES corner, it's hard to imagine the space staying vacant for long. Artichoke Basille's Pizza was a 2014 suitor, though those plans never materialized.
Wafles & Dinges and Bobwhite Counter among the vendors at the incoming Zero Irving food hall
There are 13 vendors listed, including some familiar EV names — Wafles & Dinges and Bobwhite Counter.
As previously noted, at least 25% of the food hall — via Urbanspace — is reserved for use by first-time entrepreneurs or start-up companies operating for less than four years.
The vendors occupy 10,000 square feet on the ground level with an outdoor patio. The Urbanspace website lists a December 2022 opening.
The 21-floor Zero Irving, developed jointly by the city's Economic Development Corp. and RAL Development Services, will feature 14 floors of market-rate office space as well as a technology training center, co-working and event spaces on the seven floors beneath.
Long contested by local preservationists and community groups, the new building sits on the former site of a P.C. Richard & Son on city-owned property here at Irving Place.
Foundation work started here in August 2019.
Tuesday, November 29, 2022
Commemorating World AIDS Day at the Tompkins Square Library branch
Per the library's website:
The 24-minute-long video, which will be available from noon to midnight on the Library’s website, includes a list of the names of many New Yorkers who died of AIDS; the list of names continues long after the music climaxes and ends in a silent memorial to the friends and family members lost to a pandemic that continues to this day. AIDS has killed more than 40 million people.
Brooke Smith revisits the neighborhood's 1980s hardcore scene with 'Sunday Matinee'
All photos by Brooke Smith/reposted with permission
As an unhappy teen growing up in Rockland County in the 1980s, Brooke Smith found solace riding the 9A bus into the city.
This Saturday, Smith will be signing copies of the book from 5-7 p.m. at Generation Records, 210 Thompson St. in Greenwich Village. There's an after-party at 9 p.m. at 96 Tears, 110 Avenue A at Seventh Street (the former Tompkins Square Bar).
Find out more about the book here.
Once here, she'd take the A train to West Fourth Street. One day decided to keep walking on Eighth Street into the East Village and onto St. Mark's Place.
Here, she found her home, a place where she felt as if she belonged. 
Today, Smith, now based in Los Angeles, has made a name for herself in films (Buffalo Bill's plucky would-be victim in the Oscar-winning "The Silence of the Lambs") and television ("Grey's Anatomy," "Ray Donovan").
While preparing to move about 12 years ago, Smith found a cardboard box full of the photos she took in the 1980s while part of the punk/hardcore scene on the Lower East Side. This discovery eventually led to a solo show at Primary Gallery.
These photos are the subject of a new photo book, "Sunday Matinee," which features hundreds of photographs of the East Village in the mid-1980s and bands such as Bad Brains, Agnostic Front, Cro-Mags, Murphy's Law, Warzone and others. There are also recollections by band members and others involved in the scene.
Smith answered some questions in a recent email exchange with EVG...
What initially compelled you to venture down to the city as a teen?
I was very much an outsider in my hometown and high school. I was overweight and listened to WFMU radio a lot — punk and alternative music, which no one in my school was into.
My mom worked in the city, and I started going in with her as a child.
By the time I was 13 or 14, I felt comfortable enough to take the bus alone to the GW Bridge and then the subway downtown. Initially, I got off at West 4th street and walked around, but I soon felt compelled to go further and further east. I loved St Mark's Place and I met people in the East Village and eventually wound up at CBGB. Later, I got a job as the bag check girl at Trash & Vaudeville and then did the same thing at The Ritz.
Describe your mood change as you were leaving Rockland County and entering NYC on the bus, eventually making your way down to the East Village/LES.
I started meeting people and making friends... and you know how you just know who ‘your' people are when you meet them? I mean, like you recognize them? That’s how it felt, like coming home, genuinely.
The East Village felt like it belonged to us. It was a bit like the Wild West back then, and it felt like there was always a possibility in the air. We didn’t have cell phones then, so you had to get out and find people.
You carried a Minolta with you. When did the interest in photography come about?
Photography was one of the only classes I liked in high school, so I always had my camera with me. Plus, I wasn’t comfortable in my own skin, so even if I wanted to be a lead singer or a musician, I was too insecure. Having my camera meant I could hide behind it but still be right up in the center of the action.
The people in the portraits on the streets and sidewalk look at ease in front of your camera. Were you known in the hardcore community as someone always taking photos? Did it take a while for you to build up the confidence to approach people?
It did take a little time. I only took portraits of my friends. Back then, when people used to drive by CBGB or Tompkins Square Park and try to take photos of us punks, we would always make them pay us! I think I was known as someone who was always taking pics, along with Amy Keim and BJ Papas, and a few other women in the scene.
Looking back at the book and all the images, what is an enduring memory of this period in your life?
I loved it all. And all those people in the photos, so many of whom are gone. I remember late nights when we would all hang out with the homeless in Tompkins Square and have bonfires in those mesh garbage cans and share our stories with each other. It was a real neighborhood, and I can remember so many of the characters… everyone from Ray — who’s still there at 90, serving the best shakes and egg creams in NYC — to that guy who would always cover his face with a newspaper if you tried to make eye contact.
I remember exactly when I felt it was time to move on from the scene. I was at the pizza place on St Mark's and Avenue A with these new kids I'd just met. I explained to them that my little brother had died in a surfing accident a week before, and I just remember feeling, at that very moment, that my time there was done. It was time for me to grow up.
What were some ways this scene helped you forge your identity?
There was no separation between audience and performer. It was our scene, and we were doing it for ourselves, not to get rich or famous. So I think that helped me. I learned to trust my instincts as an artist, and to stay true to myself and to always be authentic.
What do you hope that people take away from "Sunday Matinee"?
It’s a love letter to that time and place and especially those people. I hope people get the message to be themselves. Don’t try to fit in. If you can find a group of people, or even just one other person who shares your interests, you can create whatever you want.
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