Put on a happy face. Photo in Union Square today via jdx.
Find more of his photos on Instagram.
The owner, Purushottam Goyal, has a weakness for the past, and for nearly four decades he has filled the store with intriguing relics. Amid the tunics, scarves and batik blankets, you can find 100-year-old saris made with silver thread, wooden cowbells, old kerosene lamps and vintage radios. (At home, he has a yellow taxicab from 1929.)
Mr. Goyal was born in Delhi, India, the youngest of 18 children. Before he came to New York, he worked in his parents’ textile shop and, briefly, as a customs official. In 1978, he opened a shop on Broadway. He did not have the money for a sign, he said, so he painted over part of the old one: Smart Dress Shoppe became Dress Shoppe.
In 2001, that building was sold, and the store moved to its present location. Dress Shoppe became Dress Shoppe II.
I’ve heard from five sources different parts of the same rumor — the partnership, location, and name — that El Pres, aka David Portnoy, aka THAT Portnoy of “Everybody knows the rules” Barstool Sports Pizza Reviews, is teaming up with pizza personality, chef, and consultant Nino Coniglio (of Brooklyn Pizza Crew and Williamsburg Pizza) to open a bar pie pizzeria in the former Percy’s Tavern space ...
Considering Portnoy’s obsession with pizza and his claim that’d try every single pizza slice in Manhattan, a pizzeria seems like a natural fit for Portnoy’s first restaurant venture.
But whether New Yorkers will embrace him is a different story. In August, Portnoy got into a Twitter spat with Rep. Alexandria Ocasio-Cortez after she called him out for threatening to fire any employee that discussed unionization efforts. He’s currently being investigated by the National Labor Relations Board over those threats. A Daily Beast report found that Portnoy has also allegedly threatened and harassed female sportswriters by making expletive-laden references to them either on the blog or on a podcast.
Fire above where The Smith in the East Village is at. Whole neighborhood is covered in smoke. pic.twitter.com/vyYCnSbBjo
— Jesse Middleton (@srcasm) December 10, 2019
MAN ALL HANDS 55 3 AVE, HIGH RISE FIRE IN RESTARAUNT IN THE DUCTS,
— FDNYalerts (@FDNYAlerts) December 10, 2019
MAN ALL HANDS 55 3 AVE, HIGH RISE FIRE IN RESTARAUNT IN THE DUCTS, UNDER CONTROL
— FDNYalerts (@FDNYAlerts) December 10, 2019
This remarkably intact Gothic Revival church’s form, design, details, and history reflect the kaleidoscope of immigrants and ethnic groups which called the Lower East Side home and shaped New York over the last century and a quarter — making it not just architecturally significant but an embodiment of New York City’s and the East Village’s immigrant history.
This structure was originally built in 1891-92 and designed by Edward Wenz for the Church of St. Elizabeth of Hungary, serving the surrounding Slovak and Hungarian immigrant community. The church was the first national Slovak parish for the Slovak and Hungarian Catholics of New York and Brooklyn. Later the building was bought by the Russian Greek Orthodox National Association and became the Carpathian Russian Orthodox Church of St. Nicholas.
It served the emerging Russian immigrant community in the early and mid-twentieth century, as evidenced by the royal seal of the Russian Czars located on the church’s front gates. After 1975, the church housed San Isidoro y San Leandro Western Orthodox Catholic Church of Hispanic Mozarabic Rite, a highly unusual Western Orthodox Catholic Church – seemingly one of the very few in America, and one of the few or perhaps only to practice the Mozarabic Rite.
Churches and synagogues such as these, located on single lot sites filling the space of what was once a single home, were once found throughout the East Village and Lower East Side. They were reflective of the incredibly modest resources but bold ambitions of the immigrant communities they served. Increasingly few such structures survive today. The East Village remains woefully under-landmarked and therefore valuable historic resources such as these churches and synagogues are vulnerable to insensitive alteration and demolition.