Photos by Stacie Joy
Current hours: Wednesday-Thursday, 8 a.m. to noon; Friday-Saturday, 8 a.m. to 7 p.m.; Sunday, 8 a.m. to 3 p.m.
What I remember about the night was the packed house and the decrepit state of the place. It looked like the balcony and/or the chandelier could come down at any minute. Don’t remember much about the music except for the taping horn section and Neil’s wonderfully unhinged solos, but that’s usual for me when I shoot live shows and music videos. I’m listening for the "form of the music" more than the music itself. When I say form I mean I listening for "here comes a solo, here comes the big finish, group interaction, last song of the encore is about done and get ready for the big group hug/wave/smile."
The amount of luck and happenstance that got all this together is somewhat amazing. Shot in 1988, the stock photo house that represented my music photos sent them to him. They sent back most of them but kept some. The Neil Young Archives found them in the drawer when they decided to put out a 1980s collection and he picked that one.Thankfully the slide was still stamped with my name and phone, and thankfully none of that had changed. They had to clean it because it was in a drawer for 35 years but they did a great job.The release date was pushed back three times over two years. I started thinking it wasn't going to happen.
It's like we can breathe again!
— Yonah Knishes (@YonahSchimmelNY) April 28, 2022
I am particularly drawn to the "street" in the widest context of that word. The "street" could be a temple in India, a marketplace in Mexico, a protest in Barcelona or the New York subway.I like to observe the activities that take place in these settings and look closely at how people present themselves and interact with one another. I also enjoy the random events which happen in these environments and create unique moments and images.I am very interested in the dialogue which takes place on the "street" via graffiti, murals, scribblings, stickers and posters. I view this as a strong and important alternative to traditional communication channels such as print, television and even the internet.
Friends are planning a celebration of his life next month.
Updated:
The memorial is Tuesday, May 10 at 5:45 p.m. ... at the Green Oasis Community Garden on Eighth Street between Avenue C and Avenue D.
Eater has more on the family here, including the fact that their convenience store burned down in March 2021 in a fire that destroyed six businesses in Jackson Heights.The lauded underground Burmese spot Yun Cafe — famously wedged among a row of shoebox-sized businesses inside the Roosevelt Avenue/74th Street subway station in Jackson Heights — is expanding aboveground.The family behind the operation — married couple Thidar Kyaw and Tin Ko Naing handle the cooking, while their daughter Yun Naing is the business manager — is opening a rare Manhattan Burmese establishment called Little Myanmar ... with a full-blown kitchen that expands on Yun Cafe's existing repertoire with tangy noodle soups, steaming hot curries, mala skewers, and baked cassava cakes.
The new Captain Cookie is operated by Neil Hershman, a 27-year-old entrepreneur who is no stranger to the NYC food scene. Hershman successfully runs seven other dessert stores throughout New York, including his debut last year of the city's first Dippin' Dots store. A frequent customer of Captain Cookie during his college days in Washington, D.C., Hershman and his friends often reminisce about the craveable late-night, warm cookies. Realizing nothing could compare to Captain Cookie's quality and service, Hershman says introducing the brand to New York City is a no-brainer. He is currently building an additional Captain Cookie store in Times Square that's expected to open this summer.
For about an hour this afternoon, while the bright sun was still in the sky, and before the cloud banks covered it over, there was an unobstructed view of the active sunspot regions that have appeared this month.... and a safe view of the sun... And please note ... "Word of caution for serious fans: do not look directly at the sun, and do not set up a telescope unless it is fitted with a 99% solar filter."
Archie Shepp and Jason Moran are two avant-garde jazz musicians from different generations that nonetheless share a penchant for pushing the envelope. Shepp is a veteran saxophonist who has been called both a musical firebrand and a cultural radical, standing out even amongst myriad talents in the free jazz generation. Moran is pianist 37 years Shepp’s junior, with an equal respect for tradition and trailblazing. Their 2021 collaboration Let My People Go is a warm and intimate collection of duets recorded live in 2017-2018, a pristine portrait of two masters at work.The bill also includes the Grammy-nominated Chilean tenor saxophonist Melissa Aldana, who plays with a ferocious energy and deft musicality; Bria Skonberg, a Canadian jazz trumpeter and bandleader once described by The Wall Street Journal as one of the most versatile and imposing musicians of her generation; and Pasquale Grasso, a master be-bop guitarist known for elevating the instrument through his pianistic approach, showing the influence of Bud Powell and Art Tatum in a revolutionary hard-swinging way.