SLA & DCA Licensing Committee
Monday, May 20 at 6:30pm — University Settlement Neighborhood Center
189 Allen Street (btwn Houston & Stanton Sts) (north of main entrance)
Last week, some neighbors adjacent to the former Cabrini Center were hearing rumors of an outdoor pool at the incoming luxury apartments on East Fifth Street and Avenue B... perhaps what would be the end product of all that jackhammering out back.
[T]he leading provider of organic cold pressed juices, raw food cleansing programs, snacks, superfoods, truly natural beauty products, healthy lifestyle education and community building events. The company helps people learn how to transition and maintain a healthy lifestyle that is pleasurable and sustainable, while also friendly to people, animals and the environment.
Organic Avenue is controlled by Weld North, an investment company concentrating on education, health and wellness, consumer services and marketing businesses.
This year's annual Schoolapalooza event for the Children's Workshop School is at the Clemente Soto Velez Center on Suffolk and Rivington tomorrow night ... and will feature Lisa Lisa (of 1980s Cult Jam fame) and the Demolition String Band. There will also be a silent auction ... find more details here.
Children's Workshop has seen more than $500K in budget cuts over the past five years, and we completely depend on this event to bridge the budget gap every year.
‘We’ll Take the Spirit and Everything Else With Us’ -Ulli
The Lower East Side institution and cultural icon Max Fish will be moving. We are seeking a 2pm - 4am liquor license for the following address:
132 Metropolitan Ave
Brooklyn, NY 11211
If you've enjoyed time at The Fish please sign and share this petition. And if you live or know anyone that lives within 500 Feet of either 132 Metropolitan Ave or 99 North 1st St in Brooklyn, please contact me directly at: tmq777@gmail.com.
Name: Bryan Alejandro Scott
Occupation: Speech Pathologist, Dancer / Dance Teacher
Location: Matilda, 11th Street between Ave B and C
Time: 5 on Wednesday, April 17
I’ve been in the neighborhood for 29 years. I’ve lived in the same place on 12th and C the whole time. I’m a creature of habit. I was born in London and I used to live in Queens, where I went to high school. Part of my life was in London and part of it was in Queens.
We got to the city and I felt that this was one of the greatest neighborhoods. It was slightly unexplored. Most people didn’t even know that anything existed past 3rd Avenue, but we did. Plus it was affordable for us. I feel like some people made it out to be like it was so bad and dangerous, Alphabet City, but I don’t think it was unlike any other community. If you were looking for trouble you could easily find it, but if you were careful about what you did you were safe. There was a lot of respect for neighbors. People worked; people had families; people did their thing. There wasn’t a lot of activity on Avenue C. It was very quiet.
I feel like I’ve always been a jack of many trades. I’ve worked all kinds of jobs. I went to school for speech and language pathology and communication disorders and when I got out of college I worked for the International Paper Company in business as a marketing sales rep.
Now they were very conservative and I think you can tell from the Liberace vest that I’m not. I did the best I could. I was an in-style conservative, but selling paper, for me, I’m not putting it down, but I couldn’t see myself doing it for 20 or 30 years. I also worked in Paris for a year as a makeup artist, I worked for the city as a health coordinator, and eventually I got back into school at NYU and got my masters in speech pathology.
I started late with dancing. I was a gymnast when I was young but it got expensive. I was in high school and I was doing fairly well and I went to gymnastic camps where everybody was into it. But then my coach thought I might benefit if I took ballet class. So I did and from there I developed a love of dance. So I pursued it.
I did some auditions for some plays and through a play I got involved in a workshop for dance and that’s really how I became a Dunham technique, which is a type of modern technique from Katherine Dunham, and eventually got into a Dunham based dance company and performed in Theatre Row from around the 90s through around 2002. I stopped, not because I got too old, but because the director died.
The Dunham technique is a combination of ballet, African and Caribbean movement. It’s a modern technique usually done to drums. Katherine Dunham was the first black female to have a dance company in the United States and she was a person that led the way for many others. People like Marlon Brando, Marilyn Monroe and Eartha Kitt took classes at the Dunham School.
I’ve parlayed my career from being a dancer to a more of a choreographer and mentor. I started teaching dance out of the lobby of my building. Those kids are probably 25 years old now. I started teaching straight out of college and I progressed to the school system. I now work at the Children’s Workshop School on East 12th street as a speech and language therapist during the day and one day I went to the principal and I said, “Hey I have this idea, I would like to start a dance company.”
It started as a small experiment, working with special-ed kids. I thought that the kids who had emotional or behavioral problems, if they learned dance and found something that they liked, then their academics would approve. And it did. I do think the arts needs to be back in the schools. I think it will help many children embrace the educational process.
Now we’ve got an after-school program and we meet once a week for two and a half hours and we are ready. The kids are ages 7 to 11. I teach them the Dunham technique, jazz, and other modern techniques. They have to do reports on different people. I want them to know a little bit of everything. We’re called the Experimental Dance Group, EDG.
This year, I’m doing my first fundraiser, which is going to be [tonight, April 24] here at Matilda. It’s a really good family restaurant and the owner’s daughter is actually part of my dance company. This affair is to raise money for costumes and the cost that’s involved with doing what I do because I’m not funded by the school. And it’s a way of giving young people something positive to feel about themselves.
The fundraiser is a disco theme. I love disco; disco was a great time. People don’t realize that disco brought a lot of people together. All races, sexuality, all levels of income. It was a fun, fun period. I don’t know why people got into hating disco. That’s not for this interview, but if you ever want to go into that with me, I can talk to you about that.
NO 7-Eleven, a grassroots movement resisting the spread of chains and franchises, is holding a neighborhood-wide meeting tonight. Their goal is to require that all corporate clone stores, including banks, be required to obtain approval before opening a new location so the community can have a say in the number and location of corporate chains and franchises. Details below. Please spread the word.
Limit corporate clone stores before they limit our food, our commerce, our labor, our streets and our New York City character
7-Eleven is opening a new location on the corner of 11th Street and Ave. A in June.
7-Eleven already opened 32 locations in Manhattan and has an additional 100 stores on the way!
Their plan is to over saturate the neighborhood with locations and remove any and all competition.
If you are as concerned about protecting the East Village and future of the city, please attend:
Next 'No 7-Eleven' Meeting
6:30-8:00pm
93 St. Marks Place
Between First Avenue and Avenue A
Using similar theatrical tools that activists have employed in previous demonstrations, Cooper art and architecture students ran around the building hugging the walls in a human chain while chanting “Free as air and water...Save Cooper Union.”
The students also held an “Irish wake,” setting a hat ablaze on the pavement and singing satirically in front of the same building students occupied some months ago. While some students seem disillusioned by the school’s decision, many more are angered that the Board of Trustees met secretly in the morning while students were in class to avoid any disruption of their meeting.
The following statement from the Board of Trustees of The Cooper Union for the Advancement of Science and Art was presented by Chairman of the Board Mark Epstein to the student body, faculty and staff of the institution at a meeting today in the Cooper Union Great Hall.
“After eighteen months of intense analysis and vigorous debate about the future of Cooper Union, the time has come for us to set our institution on a path that will enable it to survive and thrive well into the future. Consequently, the Board of Trustees voted last week to reduce the full-tuition scholarship to 50% for all undergraduates admitted to The Cooper Union beginning with the class entering in the fall of 2014.
“Under the new policy, The Cooper Union will continue to adhere to the vision of Peter Cooper, who founded the institution specifically to provide a quality education to those who might otherwise not be able to afford it. Consequently, we will provide additional scholarship funding for those with need, including full-tuition scholarships to all Pell Grant-eligible students. We intend to keep admissions need-blind. Current undergraduates, as well as those undergraduates entering in the fall of 2013 will continue to receive the full-tuition scholarship for the duration of their undergraduate education.
“Our priorities have been and will continue to be quality and access, so that we will remain a true meritocracy of outstanding students from all socio-economic backgrounds.
COMMUNITY USE - NOT DORMITORY
Respect our community. Respect this community treasure: Old P.S. 64 located at 605 East 9th Street.
Old P.S. 64, a designated New York City landmark, has a long and valued history serving our community. This building could easily serve our community again. Dormitory use of this building does not serve our community. Cooper Union should not house students in old P.S. 64.
We ask that old P.S. 64 be returned to use for our community.
After being displaced from their building for 4 months, the students, staff and parents of East Side Community High School have come together in a show of strength to create and exhibit almost 1,000 pieces of art celebrating the importance of community.
East Side Community High School was evacuated in September after structural damage was found in the building. The 4 month-long evacuation created chaos and frustration, with hundreds of students and staff split up and relocated to other school sites in the city.
Upon returning to the school building in February, art teachers Leigh Klonsky and Desiree Borrero facilitated a massive school-wide art project around the themes of "home" and "community." Over the course of three weeks, students, parents, teachers, paraprofessionals, administration, and non-teaching staff participated in a series of art making workshops. Through writing and discussion, participants reflected on their individual experiences and relationship to the community. Their reflections inspired the creation of small mixed media artworks, using watercolor, colored pencil, marker and collage.
The artwork will be on display from April 24 – May 10 in the school's art gallery, the Loisaida Art Gallery, on East 11th Street between 1st Avenue and Avenue A. The opening reception is on Wednesday April 24 from 3:30 - 6:30 and is open to the public.
A selection from the exhibition will also be available online here.
From the EV Grieve Reader Mailbag®:Wondering if you can help identify the source of a high-pitched screeching noise coming from somewhere between East 10th and East 9th Street (back of the buildings) and First Avenue and Avenue A (seems closer to A).
A fan? An exhaust of some kind? Suri Cruise's tea kettle (is she even in the EV anymore)? [Editor's note: No]
It sounds like 'aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaahhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh'
It's on for like 1 or 2 days a week for many hours at a time.
I'm trying to pinpoint the source to report the issue to 311, contact the source (or consider an unconventional approach if that becomes necessary).
