Showing posts sorted by date for query bowery wall. Sort by relevance Show all posts
Showing posts sorted by date for query bowery wall. Sort by relevance Show all posts

Thursday, October 8, 2026

Up high with artist Owen Dippie and his 6-story Basquiat mural on the Bowery

Photos and interview by Stacie Joy 

It's hard to concentrate on taking photos while rising several stories above the Bowery in a construction lift. 

A swooping, rocking sensation comes as we climb; the wind picks up, and the people and traffic below get smaller and smaller. I have a mild fear of heights, so whenever an EVG assignment puts me in a lift, hanging from a harness or climbing ladders and parapets, there’s inevitably a little clenching involved. 

This time, though, the view is worth it. We’re alongside artist Owen Dippie as he works on his six-story portrait of Jean-Michel Basquiat at the corner of Great Jones Street and the Bowery — just steps from 57 Great Jones St., where Basquiat lived and worked during the final years of his life. (Dippie started the painting several weeks ago, as we first reported.) As Dippie works with spray paint high above the street, people stop below to watch. "Looks amazing!" gets shouted up more than once.
The New Zealand-based artist conceived the mural as a self-funded tribute to Basquiat, whose work has influenced him since long before his first visit to New York in 2006. Dippie says that trip included a pilgrimage to 57 Great Jones St. — something he has repeated on every visit to the city since. 

Back on solid ground, we talked with Dippie about how the project came together, choosing the image that now towers over the Bowery, Basquiat’s legacy, and the people who have stopped to share their memories of him. 

We also asked whether Angelina Jolie, whose Atelier Jolie occupies Basquiat’s former home and studio, has weighed in — and why this mural may mark a turning point for Dippie himself.
How did this project come together and how did you secure the location (and the supplies) for this mural? 

Since my first visit to New York in 2006, one of the first places I went to was 57 Great Jones St. I have since painted this city for two decades, and every visit starts the same way — with a quiet pilgrimage to Great Jones Street to pay my respects to an artist who unknowingly shaped my path. 

In late 2024, I found myself outside number 57 again. I began to imagine something incredible: painting Jean-Michel larger than life on the 6-story wall at the corner of Great Jones and Bowery, right next to his former residence. 

Two days later, I was in discussion with the building's occupants, Par Excellence. They believed in my vision but understood the scale and significance of what I was proposing. What followed was a long journey, countless emails, proposals, permits and navigating the complexities of city approvals and building preservation. 

What image of Basquiat did you work from, and why did you choose that particular one? 

I chose a photograph by Gianfranco Gorgoni taken in 1982, when Jean-Michel was 22. I grew up with a book with a similar image on the cover, which Gorgoni shot, that holds a sentimental place in my heart. 

I reached out to his estate, now run by his daughter Maya and her partner Christopher; they were in full support of the project. It was very special to explore Gorgoni's archives and have their trust.
How do you translate a face onto a wall this large and still make it feel human rather than monumental? 

I try to look beyond just translating an image; I take it very personally. I try to create something you really feel on an emotional level. All the details in the world cannot hide a piece that has no soul.
What has been the most difficult part of painting this particular mural? 

Every piece has its difficulties both technically and artistically, but I'd say artistically [for this one] because Jean-Michel means so much to me; I have to do him justice.
What kind of reaction have you gotten from people passing by while you’ve been working? Any comments or encounters that stuck with you? 

I have enjoyed listening to many stories from people who knew Jean-Michel personally. Friends, art dealers, ex-girlfriends, people who still live in the neighborhood. He impacted so many people in his brief time on this earth.
Basquiat and the downtown art scene have been commercialized and mythologized extensively since his death. Did that affect your work? 

I have always romanticized the New York 1980s, such a free time of pure energy and creativity. The many artists and movements that came from that period are a testament to that. 

Have you heard from Angelina Jolie or anyone on her team? 

I have seen her pull up a few times at number 57 while here, but I didn't want to be "that guy." I’m sure she gets harassed enough — lol! 

I would like to have a conversation with her, though, as I respect that she has kept Jean-Michel's former studio a place of creativity. 

You mentioned this being a self-funded project. How can people help support your work, and this piece in particular? 

Yes, this project is entirely self-funded; that does seem pretty wild… but nobody has commissioned this. I just really wanted to do it... the fact that commercialism is not attached to this project makes it feel pure, something just for him. 

To honor his memory, say thank you, and continue spreading his spirit.
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If you are interested in helping cover the costs of this project, visit Dippie's online shop here. You can follow him on Instagram here.

Sunday, September 20, 2026

Line tensions boil over: East Village bookseller Bonnie Slotnick arrested outside Harry Styles pop-up on 2nd Street

Photos and interview by Stacie Joy


East Village bookseller Bonnie Slotnick, 72, is speaking out after spending roughly 12 hours in custody following an altercation with the line-management team outside the Harry Styles pop-up on Second Street. [Update here]


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For nearly a month, Harry Styles fans have been making their way to the East Village, where a "Together, Together" merchandise pop-up opened Aug. 26 at 22 E. Second St. between Second Avenue and the Bowery. 

The pop-up, scheduled to run through Nov. 1 during Styles' 30-show run at Madison Square Garden, has regularly drawn blocks-long lines of fans to the area.
On Friday afternoon, tensions over the crowds and line management escalated into an altercation involving longtime neighborhood bookseller Bonnie Slotnick. 

Slotnick, 72, who owns Bonnie Slotnick Cookbooks on the block, was arrested following a confrontation with members of the pop-up's line-management team. She said she subsequently spent roughly 12 hours in custody between the 9th Precinct and Manhattan Central Booking, with a stop at Bellevue Hospital.
EVG spoke with Slotnick about what happened Friday and what she described as weeks of problems associated with managing the lines outside the pop-up. 

We also spoke with members of the security/line-management team, whose account of Friday's confrontation differs from Slotnick's, as well as another Second Street business owner who described ongoing issues with the lines. 

Before recounting what happened, Slotnick wanted to address how the incident — and her role in it — might be perceived.
I feel like what this story can turn into, or maybe is ... a crabby old lady getting really mad at young people. And I don't really need that to be my image any more than it already is.

I want to make sure that whatever information comes out about this doesn't damage my business. I don't want people to be afraid of me, and I don't want people to think that I'm crazy, or that I'm a Karen. 

So, I hope this will reveal how stressful it's been to have this going on, on my block, and for months.
What happened on Friday? Can you walk us through it? 

I got to work a few minutes before opening, and a security guard, plus two others, were standing right in front of my shop. 

She was standing, not for the first time, where I park my bike, which is attached to the railing of the building. And she wouldn't move. I asked her to move again. She threw her hands up and said, "I don't talk to you." 

Then I can't remember exactly how the name-calling started. She has told me in the past that I'm uncivil to her. I had just turned around from locking the Kryptonite lock on my bike, and I had that key in my hand. Just the key. The shank was maybe an inch long. I held it between my fingers, and I shoved it in her face — actually more like at her neck. 

And she grabbed my hand and left a big bruise on my wrist. Then she yelled, "Assault!" and yelled to the other two people to call the police. I grabbed her hand to get it off me. 

Afterward, I heard the police say that she had a bruise on her wrist, and they called an ambulance. I wasn't around for that. I went into my shop and started to get ready to open. Five minutes later, two cops were there, and 10 minutes later, four.
What happened when the police came into the shop? 

They asked me what happened, and I told them. I told them that the situation had been going on for weeks and it was very upsetting. It was nerve-wracking to have to deal with hundreds of people outside my store and these security people. They brought in a female officer, and she patted me down and handcuffed me. They said they were arresting me. 

And you were taken to the 9th Precinct?

Yes. They took my knapsack, took everything out of it, and vouched it. They put me in a cell. I was there from about 2 until after 6 p.m.

The officer in charge of me took all my cards and everything from my wallet and taped them to a piece of cardboard, like a school project. I guess they have to do that. They gave it back to me last night. It reminded me of something you would do if you needed extra credit in third grade. Each card was taped in a neat little row.

There was absolutely nothing in the cell. They took the handcuffs off, but I couldn't read anything, and I didn't have my watch. I basically walked in circles and did bodyweight calisthenics and stretches.

I also sang. I discovered that the acoustics are really good in there, especially under the HVAC unit. I sang "Sometimes I Feel Like a Motherless Child" and "Big Rock Candy Mountain," which are like prison and depression songs.

The officer told me through the door what was going on, but the cell wall is covered with plexiglass, so it was hard to hear him. I didn't really understand that I was being taken to the Tombs afterward.

Then you were taken to Manhattan Central Booking?

They finally got the paperwork done, cuffed me, and put me back in the car. They cuff your hands behind your back, which isn't comfortable to begin with, but sitting in the car is really hard.

They took me down to the Tombs, and that is a really hellacious place. They stand you up against the wall while they check you in, then take you through a maze you could never find your way out of.

I had to walk on a floor that was being cleaned, so my shoes were wet, and then walk down two flights of stairs, cuffed, without being able to hold on to the banister. I have a kneecap that I broke two years ago and two big screws in my spine, so I was afraid I might fall.

Then they took me for a medical checkup, and my blood pressure was 188/69. They sent me to Bellevue. They took me in the police car, with lights and sirens, through the Feast of San Gennaro festival.

I was at the hospital for, I don't know, 45 minutes. I had taken my blood pressure medicine in the morning, so they couldn't give me more. I told them I was obviously in distress. By the time I left, my blood pressure had come down a little bit.

Then I went back to the Tombs, back through the same thing. I got searched a few more times, and at about 9:30 p.m. they put me in a cell with three other women.

I asked how long I would be there. What a stupid question! The guard said she had no idea. She did tell me that if I didn't get a docket number by midnight, because the court shuts down at 1, I probably wouldn't be processed that night and would have to stay until the morning.

I was sitting on a concrete bench on a concrete floor against a concrete wall.

At about a quarter to 1, I think, the guard called my name and took me upstairs. They cuff you to whatever piece of furniture you're near or sitting on, so they locked me to the bench.

Then they called me to speak to the Legal Aid lawyer, who comprehended the situation very quickly. Within a few minutes, they called me up in front of the judge, and someone read the charges.

What were you charged with? 

One count of menacing in the second degree.

What happened before the judge? 

The lawyer said it was outrageous that I hadn't been given a desk appearance ticket, which is what Officer Heaning originally told me he was going to try to do. It's basically a reservation for a future rendezvous with a judge. But then I was told that keys are considered a weapon.

The attorney said it was outrageous that I was taken to jail, especially given my high blood pressure and other ailments. He also said the charge made it sound like we were two neighbors having a dispute, rather than that I have a 29-year-established business and this woman is working for somebody who's completely outside the community.

The woman asked for an order of protection against me. The attorney asked the judge to deny that, which she did. And she gave me another court date in November.

I took pictures of the bruise on my arm, so we're equally injured. I'm going to make it clear that I was holding a key, that I didn't pull out a bunch of keys in order to kill this girl.

Then I went back, and my friends, thank God, were waiting for me, and we walked back to the shop. I rode my bike over to the Precinct to get my backpack and found out that when they take money you have on you and call it "safekeeping," they don't give it back to you. You have to go down to One Police Plaza and apply to get a check.

Luckily, it wasn't that much money, but I'll do that. That must be really hard for other people.

Are you represented by counsel? 

Yes. His name is McCarthy. He was from the Legal Aid Society and was appointed to represent me. I think he did a really good job, so I don't see any reason to look for somebody else. 

What's your plan going forward? 

I'm going to keep my big fat mouth shut, which is incredibly hard for me. 

What do you hope happens now? 

I want the whole thing to go away. I hope that when I come in tomorrow, it's not there. That's not realistic. I hope that the guy who owns the property, who's a guy from the neighborhood, Will Morgan, will do more investigation before he does anything like this again. 

I called him and spoke to someone on his staff. He apologized profusely and said they had no idea it would be like that. He was not aware that this pop-up would be so...

They're so sorry; they didn't intend it to be like this. These pop-up things are all over the city, but they're not for two and a half months. The line in front of my store is the American Express priority line. 

I know everybody on EV Grieve feels the same about the idiots who stand in line. I was trying to remember with some of my adult customers what we ever stood in line for. All I can remember standing in line for is going to the movies. Because if you didn't get a good place in line, you didn't get a good seat. Now everything is reserved in advance. 

Had there been problems between you and the line-management staff before Friday? 

The first day this thing appeared, the only thing I knew about it was that they had decorated the front of the building. I saw the woman who was painting. It was really kind of fun watching her paint. She was very nice. 

Then, a few days later, the lines started. 

As I've already said, I have a pretty nasty mouth, and I'm not in a good mood. And as I would walk by the line I would shout obscenities at them, and their guards didn't like that. They followed me.

One of the tall male guards said, "Don't do that." And I just yelled, "First Amendment! I can say whatever I want. I'm walking down the street. They don't even have to think that it's aimed at them if they don't want to."

This woman, Amanda, and a man named Manny came into the shop. They said, "OK, this is going to get more intense. Tomorrow is going to be the biggest day, and then after that it'll be over." 

Nobody ever told me that it was going until Nov. 1. Nobody ever told me anything, or told anybody else on the block, as far as I know. 

At some point, was your bicycle damaged? 

I had to get home to meet somebody at 5. I came out, got on my bike, and the front tire was completely flat. It had a three-inch slice in the side. I immediately thought it was probably not one of the girls waiting in line. I thought it was one of the staff. I called the property owner's office and told them about the tire, and they said they would pay for it. It cost me $89 to replace the tire, tube and labor. 

Did they? 

Not yet. I got a text from Amanda a few days later asking me to send a scan of the receipt so they could pay for the damage. 

After everything that's happened, what would make the situation better for you? 

It's a beautiful, quiet street with beautiful trees. I love my neighbors. Still, the best thing would be if it would just go away. They could put the whole line on the other side of the street, where there are no businesses. 
One last question: If Harry Styles came into the shop and apologized, would you accept it? 

I would be interested in receiving an apology. Yes. But it wouldn't make my day. It wouldn't make my life.

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H/T EVG reader Mike!

Thursday, August 27, 2026

Thursday's parting shots

Tributes to the great Tim Curry seen at Superiority Burger on Avenue A. (The reverse celebrates Dolly Parton.)... and last night above the Bowery Mural Wall at Houston (via @thequeerreview) ...

Saturday, August 15, 2026

Saturday's opening shot

After nearly three years, there's new work up on the Bowery Mural Wall at Houston... a collab between FumeroIsm and Free Humanity... "Free Humanity" with Biggie...

Tuesday, January 13, 2026

Community gathers at St. Mark’s Church-in-the-Bowery for a 'Vigil of Lament and Hope'

Photos by Stacie Joy 

Last night, faith leaders and community members gathered at St. Mark's Church-in-the-Bowery on 10th Street and Second Avenue for a Vigil of Lament and Hope, honoring the life of Renee Nicole Good and mourning lives lost or harmed through immigration enforcement. 

The vigil included prayers, spoken reflections, music, and moments of silence, bringing together clergy and neighbors from multiple faith communities across the city. 

A memorial wall was displayed on the gate outside the church, filled with photos, prayers, flowers and candles in tribute to Good and others who have died in ICE custody or as a result of immigration enforcement.
Organizers described the gathering as a communal act of witness, emphasizing the importance of truth-telling, human dignity and shared grief at a time when such deaths are often met with silence or distortion.
Participating faith leaders represented St. Mark's Church-in-the-Bowery, Middle Collegiate Church, Judson Memorial Church, and Trinity Lutheran Church on the Lower East Side, as well as community organizations including the New York Immigration Coalition and the Lower East Side Care Coalition.

Sunday, June 8, 2025

Week in Grieview

Posts this past week included (with a summer morning photo from St. Mark's Place)...

• City issues RFP for affordable housing development on 5th Street (Monday) 

• The hidden charms of a soon-to-sell loft building and the former home of Sixth Street Specials (Thursday) 

• Cleanup planned for E-bike hub on 11th Street following spike in complaints (Tuesday) 

• The Astor Place Greenmarket will not be returning (Wednesday) 

• EV Rite Aid remains open for now (Wednesday) 

• A band to know: Bec Lauder & the Noise (Friday) 

• Talking Heads celebrate 50 years with 'Killer' new video (Thursday) 

• The history of 2 East Village backhouses (Tuesday) 

• Off the wall: Longtime 'Alphabet City' mural erased (Wednesday)

• New broker for Avenue A storefront that has been vacant for nearly 11 years (Tuesday) 

• Signage alert: Eim Khao Mun Kai on 2nd Avenue (Monday) 

• Macy's Fireworks returning to the East Side, rightful home of all things spectacular (Thursday) 

• The hollyhocks on the former St Emeric's property (Wednesday) 

• Sweep the leg, Johnny! Take in a screening of 'The Karate Kid' at First Park (Sunday)

• 88 Coffee debuts at the Bowery Market (Monday) 

• Openings: Lil Sweet Treat on 2nd Avenue (Wednesday) 

• Openings and closing on these 2 blocks of 1st Avenue (Monday) 

And get the Week in Grieview emailed to you every Sunday by signing up (for free) here.

Wednesday, October 9, 2024

East Village building with Ramones history is back on the sales market

Images via LoopNet 

An East Village building at 6 E. Second St. with a lot of Ramones history is once again on the sales market. 

A listing for the four-level building just east of the Bowery — at Joey Ramone Place — recently appeared on LoopNet, with an asking price of $10.8 million. 

A loft in the four-level building was the longtime home of Arturo Vega, the artistic director of the Ramones and creator of the band's iconic logo. 

Jones Lang Lasalle has the listing, which plays up the Ramones' connection to the building's history: 
The property is the former home of Ramones' lead singer Joey and bassist Dee Dee and hosted one of the band's earliest shows. Nearby Albert's Garden is where the band paid $125 in 1976 for a black-and-white picture [ed note — taken by longtime EV resident Roberta Bayley] from Punk Magazine, featuring a brick-wall background, for their debut album titled ... This image on East 2nd Street is considered one of the most important and definitive music images of the 1970s. Situated in one of the most desirable pockets in Lower Manhattan, the Property presents a unique opportunity for an investor or owner-user to obtain a cash-flowing asset with potential for tremendous upside. 
There are three residential units and a retail space (the John Derian Company). 

No. 6 was listed for $7.25 million in the summer of 2020 and, according to public records, sold for $5.8 million in November 2021. 

The building also has a nice rear view of the New York Marble Cemetery on Second Avenue...
Other onetime residents here include Fayette Hauser, John Flowers and Pam Tent of the Cockettes. 

As for the Ramones, plenty has been written about their relationship with the space (Joey and Dee Dee lived here early on, the band signed their first contract on Vega's coffee table, etc.)... and here's footage of the band playing in the loft in February 1975...

Saturday, February 10, 2024

Saturday's parting shot

Photo by Derek Berg 

A moment this evening with Twisted Wrist in front of the Bowery Mural Wall...

Thursday, February 1, 2024

1 St. Mark's Place enters its blue phase

Whenever we post something about the 22-story building at 360 Bowery, people inevitably ask about the other new office project four blocks to the north. 

So here's a look at the 9-story office building on the NE corner of Third Avenue and St. Mark's Place (we've seen alternative addresses for 1 St. Mark's Place and 3 St. Mark's Place). 

Currently, the east-facing wall is covered in some sort of blue construction materials...
... the color reminded us a bit of a former heralded (and long-gutted) building at 19-23 St. Mark's Place...
Per its rendering, 1 St. Mark's Place has a July 2024 completion date. 

More back story here.

Tuesday, October 3, 2023

On 14th Street and Avenue A, Posse in Effect with the Beastie Boys

Photo by Edmund John Dunn

Here's a day 2 work-in-progress look at Posse in Effect featuring the Beastie Boys, a new mural going up on the SW corner of 14th Street and Avenue A (on the east-facing wall of 436 E. 14th St.).

Shepard Fairey, in collaboration with the Lisa Project NYC, is working on the wall... from a photo by East Village-based photographer Glen E. Friedman. The work is part of the ongoing celebration of 50 years of hip hop.

Fairey, the Lisa Project and Friedman last joined forces on the Bad Brains mural last December on Bleecker at the Bowery. 

Saturday, September 2, 2023

Saturday's opening shot

New work up on the Bowery Mural Wall at Houston... wheatpaste panels by Tomokazu Matsuyama... with piano accompaniment this morning via Kristopher Hull. 

Not sure at the moment if this is an officially commissioned work (probably: updated confirmed YES) via Goldman Properties. 

After the art kept getting bombed in the spring of 2022, Jessica Goldman Srebnick, co-chair of Goldman Properties and curator of this wall, put the space on hiatus. And the street took over in the interim. 


Updated 9/3
 
Someone quickly tagged the collage of murals...

Thursday, July 27, 2023

A tribute to Sinéad O'Connor on Great Jones

Top photo via EVG from July 15 

A few nights ago, someone did a somewhat half-assed job of buffing out the storefront at 57 Great Jones St. between the Bowery and Lafayette. 

So last evening,  artist Adrian Wilson (under his @planndalism account) stopped by to fix the crown that he added earlier this month to the former home-studio of Jean-Michel Basquiat (thanks to EVG reader Uli for the photo below)...
While there, Wilson and Erin Ko added a tribute to Sinéad O'Connor after news of the singer-songwriter's death earlier in the day at age 56.
The wall now includes a quote from a 2014 interview with O'Connor: "If you live with the devil, you find out there’s a God."
As previously reported, Angelina Jolie is creating a collaborative space this fall for designers and artisans in the space here called Atelier Jolie. 

Thanks to Adrian for sharing the photos!

Monday, July 24, 2023

RIP to the 'RIP ST MARKS' tag

The steel frame is going up on the NW corner of Third Avenue and St Mark's Place... where a 9-story building — 53,000 square feet of office space and some 8,000 square feet for retail — is slated for the all-new 1 St. Mark's Place. 

Soon to fade from view: the obituary on the west-facing wall of 5 St. Mark's Place that someone painted here in the summer of 2019 — RIP ST. MARK'S...
And while we're here, a progress check four blocks to the south... where 360 Bowery at Fourth Street recently topped off...
When the two buildings are complete, nearly 30 floors of office space will be added along the corridor. 

On this topic... New York magazine's current cover story explores how commercial landlords are scrambling to stave off a real-estate apocalypse as developers try to downsize their office space, from the Financial District to Hudson Yards.

Sunday, July 9, 2023

Week in Grieview

Posts this past week included (with a photo from Tompkins Square Park by Steven) ...

• Tuesday is the last day for East Village mainstay Ink on Avenue A (Sunday) 

• East Village staple New Double Dragon has closed (Tuesday)

• The Upright Citizens Brigade is returning to NYC — and the East Village — with a new theater (Monday) 

• The East Village Fine Wine & Champagne's sign has a new home (Wednesday)

• High Vibe looking for some help to continue spreading the love (Monday) 

 • Chrissy's Pizza announces itself on 9th Street (Thursday) 

• Angelina Jolie is creating a collaborative space for designers and artisans in Basquiat's former studio on Great Jones Street (Saturday)

• Openings: Rosemary Home on 9th Street (Friday) 

• After 20-plus years on 13th Street, Keybar is relocating to Bushwick (Thursday)

• Coming attractions: Cabin on 9th (Thursday) 

• When the lights flickered on Wednesday night (Thursday) 

• Mystery solved? Avenue A residents track down source of the incessant 'loud mechanical sound' (Wednesday) 

• Eros is still 'temporarily closed,' and now fully empty (Monday) 

• Full reveal: 699 E. 6th St. (Thursday)

 ... and the latest via Optimo at the Bowery Mural Wall... which has been on "pause" from officially sanctioned murals since May 2022...
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Follow EVG on Instagram or Twitter for more frequent updates and pics. 

Saturday, May 6, 2023

Saturday's opening shot

At the ever-changing Bowery Mural Wall ... on Houston at the Bowery... Style Wars via Optimo. 

It has nearly been a year since the wall has been on "pause" for commissioned work. Background here.