Boros — “a charismatic, sometimes cantankerous artist,” per the The New York Times — lived his entire life in an apartment across the street. Some of his art is still on the walls at Sophie's down the street.
Next to the MCA mural (which we hear is staying put) are pieces of an old wooden sign...
As Paul points out, it's upside down, but it reads:
H. WOLLIN
Surgeon Dentist
Crown
This was, of course, from the era in which "surgeons" pedaling jacket crowns were as prevalent as today's bubble-tea shops. As I reported at the time, these crowns were effective, but didn’t last long because of microcracking that occurred during the cooling phase of fabrication and caused issues to the crown and underlying tooth or gum. The later introduction of dicor crowns, which were cemented with zinc phosphate, were more effective.
Anyway, another reader suggested that this plywood may be remnants of some period piece that filmed in the neighborhood. ("Mrs Maisel"?)
It's another Neighborhood Open Day today (Saturday, June 15!) at the New York City Marble Cemetery on Second Street between First Avenue and Second Avenue.
From noon to 6 p.m. you'll have the opportunity to take in the usually gated space and learn more about its history.
Here are the remaining open days for the summer:
• Sunday, July 14
• Saturday August 17
Meanwhile, the New York Marble Cemetery at 41 1/2 Second Ave. between Second Street and Third Street will have open days on:
• Sunday, June 30
• Sunday, July 28
• Sunday, Aug. 25
The cemetery is open those days from noon to 4 p.m.
The new record by the L.A.-based Froth is out now... the video here is for the track "77," which features guest vocals from Izzy Glaudini of Automatic.
What NYC tenants need to know about the new rent reform deal (Gothamist) Reaction from the "shocked" titans of NYC real estate (The New York Times) Real-estate groups to file lawsuit (Commercial Observer)
Residents call for independent review of storm-proofing plans for East River Park (Patch ... more reaction via The Villager)
The bill that would make NYC streets safer and break up the car culture (Curbed)
City Council members Carlina Rivera and Donovan Richards byline this piece on the importance of Community Land Trusts (City Limits)
The Strand is officially a designated landmark — despite objections from its owner (NBC 4) Reaction: "The vote is a huge disappointment, as the City has refused to consider landmark designation or any other substantial protections for the nearly 200 buildings on a dozen blocks of this part of Greenwich Village and the East Village." (Village Preservation)
Seems like 2008: A bank branch for part of the former Coffee Shop on Union Square (Jeremiah's Vanishing NY)
Shakespeare in the Parking Lot turns 25, will stage Romeo & Juliet July 11-27 (Official site)
Become a member of 6BC and help keep the garden beautiful.
Member benefits:
• Personal access to the garden. Once you have completed your membership workday and orientation, you will receive garden keys. You may then visit and work in the garden on your own schedule.
• Learn about gardening
• Have the opportunity to maintain garden plots
• Meet your neighbors
• Give back to your community
Meghan Fredrich, a former East Village resident who is currently living in Massachusetts, shared her first short film with me. "Deborah Harry Does Not Like Interviews," created from archival footage, shows how Blondie's Debbie Harry "endures years of superficial, tedious and demeaning questions from journalists until she devises a brilliant way to turn interviews on their head." The short recently made its premiere at the Maryland Film Festival and is now currently online.
Fredrich answered a few questions about the film, which you can watch below...
What was your introduction to Blondie? Do you recall the first time that you heard a Blondie song?
I’m a millennial (so sorry) and was a kid in the 1980s and 1990s. I have vague memories of seeing "Heart of Glass" and "Rapture" music videos on MTV or VH1.
Were you instantly a fan?
I think like so many others I was immediately entranced. My childhood home was a sort of New Wave temple – my parents playing records of the Talking Heads and B-52s. As I got older and developed a more complete understanding of punk, I became deeply involved with Blondie and never looked back.
What are some of the qualities that intrigued you initially about Debbie Harry? Did these perceptions change at all during the making of the film?
Debbie is unequivocally charismatic, so I think that drew my initial interest. But Debbie always appeared to me to be a very substantial person. Despite the ongoing media obsession with her blondeness and appearance, she is not all on the surface or superficial in any way. And she always appealed to me as a truly modern woman — an independent spirit.
I knew these things about her before I began the film, but I think my appreciation of her integrity, cleverness and sense of humor deepened as I worked on it.
Did you start this project with Debbie Harry in mind? Or were you thinking more about exploring the way interviews are structured and how the media complex works?
It was the latter – I was thinking about the power relationship inherent in interviews and how the public accepts certain interview “norms.” From there I thought about who had been in the public eye for a long time, and Debbie came to mind.
Though the montage of clips you found, we see Harry endure an endless number of idiotic and sexist interviews. How did you see her reaction to these interviews evolve as she continued on in her career, both in Blondie and as a solo artist and actress?
As time goes by, we Debbie’s emotional reactions to these questions and interviews change, as well as the strategies or tactics she deploys to manage them. She’s initially surprised, perhaps. Then expectant, evasive, using humor to deflect. She tries presenting a somewhat neutral front. Toward the end, you see flickers of anger, frustration and resignation. Until Minkie appears.
I’m surprised that the introduction of a stuffed animal — in this case Minkie — during interviews hasn’t become standard media-training fare for any public figure.
I know what you mean!
Do you think if she was an emerging artist today that she’d face the same type of questioning in the media?
You can see this clearly happening now with Billie Ellish. In an ad campaign recently for Calvin Klein, Billie says, “That’s why I wear baggy clothes. Nobody can have an opinion because they haven’t seen what’s underneath.” It’s a protective stance for an invasive world that would otherwise eat you alive.
Any idea if Deborah Harry has seen this?
We passed the film along to her people, but I don’t really know one way or another.
What do you want viewers to take away from the film?
How incredible Debbie is, to start! I hope they laugh while the watch it. But perhaps the overriding message of the piece comes from the lyrics of the song "I Want That Man." When Debbie sings “Here comes the 21st century/It’s gonna be much better for a girl like me,” we as the audience now watching in the 21st century have to ask ourselves: Is it?
Tree Bistro is back in service this week ... nearly eight months after the six-alarm fire tore through neighboring 188 First Ave. between 11th Street and 12th Street.
For now, the restaurant's outdoor space remains closed, which causes some space issues. Here's more via the Tree Bistro website:
We miss the garden more than anyone — but the delicious cuisine, charming and eclectic decor, and above all attention to our customers that is the hallmark of Tree Bistro will be in abundance in our inside dining room.
Since our capacity has been reduced by more than a third, we recommend reservations at all times, and we do please ask that you confirm or cancel your reservations should plans change so that we can accommodate all who wish to experience Tree Bistro. We appreciate your understanding as we all adjust to this temporarily smaller format and are excited to see you soon ...
Uogashi, the Japanese restaurant in the retail space at 188 First Ave., is not expected to return. The Uogashi website, now offline, had listed "permanently closed" under their hours of operation.
Officials said they believe the fire, which injured 17 people, including 14 firefighters, began inside Uogashi. An exact cause has not been made public.
As we first reported on June 5, Guillaume Guevara announced that he was closing Miscelanea NY, his 4-year-old quick-serve Mexican cafe and shop at 63 E. Fourth St. between Second Avenue and the Bowery.
Sunday is the shop's last day in business. As he shared on Instagram...
On Wednesday, I asked Guevara for more on why he's decided to close up shop.
"I am moving to Mexico for my son to learn Spanish — that is the main reason. But of course, there are other secondary reasons such as the high operating costs, as usual, in NYC."
Miscelanea NY drew praise for not only its tasty Mexican food, but also Guevara's commitment to helping educating customers about the country.
"To me, Miscelanea is not just a Mexican store, it's an all-inclusive trip to Mexico. You can learn about the culture through our books, about the fashion through our clothes, and about the cuisine through our food," he told EVG contributor Stacie Joy in January. "People in NYC know that there’s more to Mexico than mariachi and tequila, but unfortunately the Mexican stigma is still there for some Americans who have not visited Mexico in recent years. I always encourage our customers to visit Mexico; in fact, many of them come to me to ask for recommendations of places to visit, stay and eat while in Mexico. I love it!"
The annual Lower 'Eats' Side festival takes place tomorrow (Saturday) from 1 to 4 p.m. at PS 110, 285 Delancey St. at Lewis Street.
Here are details via the EVG inbox (or above on the flyer) ...
The Lower East Side’s historic Public School 110 (Florence Nightingale School) will hold an international food festival, Lower 'Eats' Side, featuring home-cooked food from more than 20 countries, prepared by the school’s own parent chefs.
The food festival will represent the different cultures and nationalities that make up the school today, and will be held at the school’s 1905 building at the eastern end of Delancey Street, rain or shine.
There's live music featuring global sounds from guest performers as well as the stylings of PS 110's own parent band — The Nightingales.
The food festival will also feature a tag sale and organized games for children.
Tickets are $10 and available at the door.
The school first held this festival in 2015 to commemorate 110 years of PS 110.
Tompkins Square Park didn't get a Sing for Hope piano this summer ... however, the Park will be home in the next few months to "CEI Benchmarks: Youth Setting the Standard for Social Change," a campaign spearheaded by the nonprofit Center for Educational Innovation.
The three benches, which arrived yesterday over in the middle of the Park by the ping-pong table, were created by local public school students to "confront major social issues." (Thanks to Steven for the photos!)
So far, people seem to like them... and they haven't been vandalized...
Here's a dispatch from Seventh Street (No. 39 to be exact) between Second Avenue and Cooper Square, where EVG reader Dinky reports:
Alas, the beautiful red bud planted by the Parks Department on Oct. 25, 2017, was torn down during the night [this past weekend] by some marauding drunks.
Parks came Monday and removed the tree down to the stump.
Hoping for a replacement, but the first one took two years to get, so am not holding my breath.
No one witnessed the tree attack, though "someone heard a lot of yelling and running in the wee hours of Saturday-Sunday," per Dinky.
Reps for the owner of 183 Avenue B have filed plans for a new 8-floor residential building.
According to the permit filed with the city on Tuesday, the building will have 12 residential units with ground-floor retail.
New York Yimby, who first reported on the filing, note that the units will "most likely [be] rentals based on the average scope of 689 square feet."
First, however, the current four-story building must be demolished. Those demo permits were filed with the city in April.
In January 2017, we reported that Corcoran listed the property with a $4.75 million ask. The building — with air rights intact — sold for that exact amount in April 2017, per public records. The DOB permit lists Richard Pino via the Tompkins 183 LLC as the owner.
The 14th edition of "East Side Stories," a new collection of one-act plays, premieres tonight at the Metropolitan Playhouse.
The works are "based on the rich history and eclectic character of [the] East Village and Lower East Side."
Here's a quick overview of what you'll find in "East Side Stories, Back Again" ... including one very well-known business on Avenue A...
• "Counting Pedestals" by Carlos Jerome
A community college student, focused on survival after a bid in prison, finds an unlikely bond with his mathematics professor.
• "Iriomote" by Arlene Jaffe
Greed and ego threaten the survival of two irreplaceable communities; one in lower Manhattan, the other more than 7,000 miles away.
• "The Poor Door" by Leonard Goodisman
Two women meet in an apartment building's entrance hall, each affronted by the other, and find they have more in common than they expected.
• "Ray's Candy Store" by Rachael Carnes
An aspiring actress, finding life in the city more difficult than she expected, meets a candy store owner who offers her a new perspective and an egg cream.
The run ends on June 23. You can find ticket info at this link. The Metropolitan Playhouse is at 220 E. Fourth St. between Avenue A and Avenue B.
These two female Japanese artists, Kumiko Yamada and Reiko Lauper, who have been friends for two decades, are having a collaborative art exhibition. This is a two-series exhibition, showcasing in two different countries starting in Tokyo in 2018.
These exhibition series are themed by "female" and “Wa” (Japanese culture) that are very straightforward. They are showing their new pieces, which were inspired by each other’s artwork ...
Both of the artists will be at the opening reception, and this is going to be the LAST art show at Art on A Gallery.
The opening is tonight from 6-8 at the gallery, 24 Avenue A at Second Street. The show ends July 11.
Also, Reiko Lauper is donating all the proceeds from the sale of her Cyndi Lauper original drawing (or prints) from the show to The True Colors United, a nonprofit that provides help for LGBTQ homeless youth.
As previously reported, the folks at Wendigo decided to give up their lease. As they stated: "One of the reasons, of course, is that like everywhere else in NYC the rent is too high ... beyond that we are ready to place more focus on the music end of the business, Wendigo Productions, LLC."
A for-rent sign now hangs in the window at 58 Third Ave., marking an end to Jin Kitchen and Bar's short existence here between 10th Street and 11th Street.
The Chinese restaurant debuted in January, taking over the space from Shu Han Ju II. This marks the third restaurant at the address in the past four years — Shu Han Ju II replaced Mulan East.
From 2009 to 2015, we had the Thai restaurant Bodhi Tree here... and previously? Anyone? Taco Bell!
Thank you to EVG reader Sheila Meyer for the photo!
