Thursday, February 3, 2022

As the bank branches turn on 2nd Avenue

Meanwhile, in bank branch news... as you likely know, HSBC agreed last spring to sell 80 of its 148 U.S. branches to Providence, R.I.-based Citizens Bank. 

The HSBC on the SW corner of Ninth Street and Second Avenue made the cut and will transition to a Citizens Bank on Feb. 17. 

Ahead of that, workers yesterday installed the deep-green Citizens signage (with the daisy wheel logo ) ... EVG contributor Steven was there to mark the occasion...
... and at the end of the day, a temp HSBC was back on the marquee...
HSBC arrived here in the spring of 2010 ... before it was a bank branch, the Max Brenner's Chocolate by the Bald Man haunted this space

Previously on EV Grieve

Wednesday, February 2, 2022

The sewer-repair work on 11th Street

We received several reader queries about the roadwork happening on 11th Street between Second Avenue and Third Avenue. Per one reader: "There is a very large hole in the street." 

Yes! 

Apparently, a sewer line broke along here — ugh ... Steven shared these photos from earlier today... showing that the block is closed off to traffic while repairs continue ...
This month, the hole will appear before CB3's SLA committee for a full liquor license.

I Am a Rent-Stabilized Tenant

East Village resident Susan Schiffman has been photographing the apartments of rent-stabilized tenants living in the East Village for her Instagram account, I Am a Rent Stabilized Tenant. She shares some photos here for this ongoing EVG feature.

Photos and text by Susan Schiffman 

Tenant: Jeanne, since 1986 

Why did you move to the East Village? 

I am a native New Yorker. My father is from Queens. He is Italian American. My mom is from Brooklyn; she is Irish. We like to call that a mixed marriage. I am one of those classic Italian-Irish mixes from that era of New York. 

My dad became a firefighter and they moved when they got married and started to have kids. I was born in Flatbush. They moved to Staten Island like everyone else after the Verrazano Bridge was built. I grew up in Staten Island and I went to NYU. That is how I ended up in the East Village. It was a no-brainer. 

I had a friend in college who lived on 1st and 1st. It was 1980, and it was like venturing into the wilds. People told me not to go to the other side of Tompkins Square Park. My first apartment was on 11th between 1st and A. 

 I had a friend who lived on 2nd and B. When I went to visit her, I would stay over. It felt safer that way. When my daughter was in junior high in the late 90s, her friends’ parents did not allow them to visit. Until the restaurant scene started percolating. 

Where did your daughter go to school? 

She went to public schools. She began elementary school in the Lower East Side School. It was in the PS188 building. The name was changed to East Village Community School when they moved to 12th Street. It was the first small progressive school in District 1. Neighborhood School became the second. I kind of pulled her out. There was a shooting one day nearby. I moved her to PS19, a more conventional, traditional elementary school. 

When I first moved Chloe to PS19, it wasn’t going well. They would say, “we’re going to take a spelling test,” and Chloe had no idea what a spelling test was. The progressive alternative schools in the neighborhood didn’t give tests or grades. Students received report cards, but they were narratives about how they were doing, not letter grades. 

I made an appointment with Judith Foster, who had been Chloe’s kindergarten teacher at the Lower East Side School, for some support and guidance. She was now the principal at The Neighborhood School. Judith is an incredible educator, resource and support for students and parents. 

For middle school, Chloe went to the Lab School in Chelsea. It was a good sequence because she learned how to navigate the city. She used to go to swimming lessons on 23rd Street. She could walk from PS19 as a 5th grader through Stuyvesant Town with a friend. 

By the time she went to junior high, she would take the bus. She could take the subway in the daytime. She went to Bronx Science for high school. The kids were from every neighborhood in New York City. They had the run of the city. They lived in Chinatown, Jackson Heights, Roosevelt Island. I feel good about that. 

The city is a great place to bring up kids. It’s nice to have a couple of good friends still in the East Village because so many people are gone. I met Raquel through downtown theater people. I met her when she had the New York Theater Asylum, and I remember bartending there. Chloe must have been a baby. We’ve known each other for over 30 years. She’s a unique character in the East Village.
How did you find your apartment? 

I was living on 11th Street and 1st Avenue in a tiny little two-room apartment in the back of a tailor shop. There was one room, and it didn’t have windows. I should have had the storefront, but what did I know? I was still in college. 

I got pregnant with my boyfriend, who was like the coolest dude. He had a recording studio in a basement. Remember when everyone had music in the basement in the 80s? We had Chloe there. 11th Street between 1st Avenue and Avenue A. I still remember going into labor. I said, “go get the cab.” We had a $5 bill taped to the dresser for the cab to take us uptown to the midwives at St. Luke’s Roosevelt. All the way up to Lincoln Center — $5! 

My boyfriend had to go up to 2nd Avenue to get a cab. Cabs were not coming to Avenue A. There were three of us now living in this tiny little place. We realized we had to get another place. We didn’t think we could afford anything. I knew the people that were living here, in my current apartment. They were friends who I worked with in the experimental theater scene. 

When one of my friends decided to go back to Germany, he offered us the apartment. He knew we had a baby and needed more space. It was an act of generosity. This was like a palace with 2 bedrooms, an eat-in kitchen. It’s not that many square feet, but it feels very spacious. My daughter could have her own room. I thought I had died and gone to heaven. What we were paying wasn’t very much, but it seemed high at the time. And it has gone up. But it is still affordable. It’s how I can be an artist. It was a sublet when they left.

One of them lives in the city part-time, and the other stayed in Germany. Eventually, by the book, with the legal percentage increase in rent, the lease would be in my name. We were young and in flux. I was in flux, but I had a baby, so I couldn’t be that much in flux. 

And that is why I still have the apartment. People say, “you are so lucky.” It is not about luck. We lived through some hard times over here. There were the frequent insurance fires, abandoned buildings, the dope and crack years, the gentrification wars, and of course, the devastation of AIDS. 

What do you love about your apartment? 

So many things. But I think the most important thing is the light. And people might laugh because they think there is no light in NYC. But because of the way the apartment is situated, the light moves around all day long. So different rooms become lit. I move around with the light. My daughter tried living in a bunch of other places. And said, “I am spoiled for life. I didn’t realize it, but I need an apartment that actually has sunlight.” I was worried when they built the building next door. That it would cut off my light. 

I used to lie in bed and see the Empire State Building. That does not happen anymore. But I can still see the moon. This is East. When the moon rises, I can see it. I’m also close to the roof. It’s not a particularly nice roof. It has a giant T-mobile tower and cell phone stuff everywhere, but it’s my porch.

I’ve done a lot of work with astronomy in my artwork. I have shot several films from my East Village roof. It’s important to go out and check-in with the planets and see where the stars are. I can see the bridges. We used to be able to see the World Trade Towers. 

When I look at these floorboards, I know that these are the same floorboards walked on from the time this building was built in 1898. The East Village is a really wonderful part of New York City, and it is the only place in the world where I feel relaxed, accepted and at home. 

There isn’t one closet in the apartment. It’s not like the Upper West Side. It’s immigrant housing. The wardrobe I have for my clothes was here when I moved in. I think it’s been here since 1920. It’s not fancy. I never changed anything. Why bother? I appreciate that history. I need to live in a place with a lot of history. 

We had a downtown, underground culture mixed with the old communities that were here. None of us had any money. There was a huge creative spirit. All of these things mixed together made a very special cocktail. It’s a connection. We have a certain way of understanding history here. We’re on the continuum.
If you’re interested in inviting Susan in to photograph your apartment for an upcoming post, then you may contact her via this email. And read about her in The New Yorker!

Brindle Room is making an East Village return this spring in new 11th Street home

The Brindle Room has a new East Village home. 

Owner Jeremy Spector confirmed that his restaurant, known for some pretty tasty burgers, will reopen this spring at 647 E. 11th St. just west of Avenue C. 

Spector is on this month's CB3-SLA docket (Feb. 16) for a liquor license for the address, the former Virginia's. (Their lease was up on Dec. 31 at the address and Virginia's ownership decided to look elsewhere for a larger space.) 

The Brindle Room spent 11 years at 277 E. 10th St. between Avenue A and First Avenue. The restaurant was open for takeout during the early days of the pandemic but stayed shut after the spring of 2020.

Spector vowed to find a new home for The Brindle Room. And he likes what he will have at No. 647.

"The place has really cool ceilings, and it's bigger and nicer than my old spot," he said in an email yesterday. "But most important to me is that it's in the same neighborhood. I'm pretty fired up — it's been two long years." 

He also shared a clip about with a reopening announcement...

 

Local photographer opens door of former Tut at 189 E. 3rd St.

Photos by Stacie Joy

Seems like the storefront at 189 E. Third St. between Avenue A and Avenue B has been empty for eons.

In this case, eons = six years. As some neighbors may happily remember, the Marshal seized the hookah bar-restaurant Tut here at the end of January 2016.

The space was home for short stints to Lumiere and Casablanca in the previous two years.  

A hookah bar-cafe from the Tut team called Fire and Ice was in the works here later in 2016, but CB3 doused those plans.

Anyway! The other day, EVG contributor Stacie Joy got a look inside the tomb-like former Tut's... frozen in hookah time...
Not sure why this space hasn't attracted some sort of business (is it the doors?). It's an excellent retail block with Jane's Exchange, 3rd & B'zaar and Book Club steps away.

Now Yoga moving to online-only classes next month

Photo from March 2019 by Stacie Joy

Now Yoga is closing its Fourth Avenue studio at the end of the month, transitioning to virtual-only classes starting on March 1. 

Here's part of owner Renata Di Biase's statement:
This decision has not been easy to make, and it’s one I’ve only been able to fully arrive at after several months of being back in-person and entertaining various solutions for making our brick-and-mortar sustainable. 
For a confluence of reasons, including the inherent challenges within the yoga industry as it is (which existed long before Covid and about which I wrote a few months ago), the ongoing reality of Covid-related interruptions to in-person business, and my own personal need to move on from a full-time directorship role, closing our physical studio makes the most sense at this time. 
Of course leaving our beloved Astor Place home is heartbreaking. And yet the vibrancy of our online community has been a bright spot over the last couple of years, and the continuation of our virtual programming is a comfort in the absence of a physical studio.
You can read here full statement here

The studio has been at 61 Fourth Ave. between Ninth Street and 10th Street for 3.5 years. 

However, the third-floor space won't be empty long come March. Di Biase reports that SaltDrop — "a beat-driven, mat-based celebration of movement" — will be opening in this studio. 

Previously on EV Grieve

Tuesday, February 1, 2022

Tuesday's parting shot

Moving day on Seventh Street ... photo by Derek Berg...

Gallery Watch: 'Falling Through Flatland' by Chris Hood at Lyles & King

 
Text by Clare Gemima
Images by Charles Benton (please see below for descriptions)

“Falling Through Flatland” by Chris Hood
Lyles & King, 21 Catherine St.

Lyles & King showcases 12 explosively colorful paintings in its current solo show, “Falling Through Flatland.” The gallery kindly facilitated an interview with myself and artist Chris Hood, who answered a series of questions relating to his unique process, intentions for the show and overall painting practice. 

How long did it take you to create the body of work exhibited in Falling through Flatland?

Though I work consistently most every day, the exhibitions tend to come together in moments of intense focus and creation. This body of work took around 5-6 months of painting time to create. It is both a culmination and lasering-in on efforts that span a few years.

Can you describe what your medium is and how you use it?

I use alkyd paint, which is not very common and quite difficult to work with. It is resin-based and therefore has a very organic and distinct materiality. Thick like honey in its natural state, but possible to thin and stain like watercolor. I came to this medium through my process of painting, which involves soaking through the fabric of the canvas with paint, as opposed to having it sit on the surface. 

Can you elaborate on your painting process? Is it specific to Falling through Flatland or signature to your overall practice? 

I build up layers of paint that push through the canvas from the back. It is a process that is unique but typical of all my work. The various strokes and washes prevent or collide with successive layers of paint enmeshing into the weft and producing a surface that appears literally from within the canvas. It can visually invoke sensations of memory and challenge what is in front and what is behind. It is a method that extends the paint and imagery into territories they would normally not tend to.

Of the show, what piece challenges you the most and why? 

I hope to thread the viewer through variation and surprise within each piece and amongst the exhibition as a whole. This can be challenging enough for a viewer wanting a quick read. But one painting, in particular, All Futures (2021), is both visually distinct and acts as a kind of protagonist in the show at large. It presents a scrambled figure that seems to be either emerging or fading into a darkened space. Punctuated by flashes of light and black holes, the figure meets the viewer in between coming and going, like turning a corner on the street and running into someone you used to know.

Of the show, what piece do you feel most accomplished or satisfied in and why?

I am most satisfied with the paintings that are formally inventive and challenging. Some works cue your next steps, and you can see pathways open up. That is exciting.

Collecting imagery is clearly part of your process. How do you source it?

A landscape, for instance, might be depicted in three ways: sourced from a personal photograph, an appropriated digital landscape from a video game, and from a drawing or topographical rendering. I am interested in the vernacular narratives that come from these types of spaces, rather than the specific image itself, and aim to bring the subtle feelings of those spaces into the meaning of the work. There is often an art historical or traditional theme that I extend into contemporary and personal contexts. Everything is available.

At the opening, you spoke about how you operate mostly in an analog manner. If that is the case, how are you feeling about fine arts ascent into virtual spaces that are almost entirely hands-off?

Good art is transformative beyond the tools used to make it and I am mostly skeptical of virtual art for its reliance on staying within its algorithms. The hands-off nature of creating in virtual spaces eliminates most of the physical facilities for using a tool or rather misusing it (the once-radical developments in painting from brush to scraping, to pouring, to roller, to screenprint, etc.), and so the tool stays bound in its intention.  

What is worse is the insistence of virtual art maintaining its ‘portrayal’ of art-ness. It is always the virtual thing as painting or as sculpture without speaking much to either direction. As always, the issue at hand is the soul.

You also mentioned to me at the opening of Falling Through Flatland that you were not a “conceptual painter.” What does that mean to you?

I was clarifying the importance of the subjective and individual experience. Although there are concepts that feed the work, how the painting exists as material in space is also important. Surprise and risk are crucial.

What are your upcoming plans for these paintings? Any shows on the horizon?

I plan to continue expanding this body of work for an upcoming Los Angeles art fair and Tokyo-based group show. I am also organizing several shows in Europe, which will take place later in the year. 

Falling through Flatland will be on view at Lyles & King’s Catherine Street location through Feb. 5. Hours: Tuesday — Saturday: 11 a.m. to 6 p.m.

Top photo: Phantom Limb, 2021
Alkyd on canvas 
Image Credit: Charles Benton

Below: Hypnotic Portrait 1, 2021
Alkyd on canvas 
Image Credit: Charles Benton

All Futures, 2021
Alkyd on canvas 
Image Credit: Charles Benton

~~~~~~

Clare Gemima is a visual artist and arts writer from New Zealand, now based in the East Village of New York. You can find her work here: claregemima.com

Notorious East Village landlord Raphael Toledano faces 5-year real-estate ban

[5th Street buildings that were part of Raphael Toledano's portfolio

New York Attorney General Letitia James announced a court victory yesterday against notorious East Village landlord Raphael Toledano. 

An order by the New York Supreme Court bars Toledano from engaging in any New York real-estate business activity for at least five years, at which point he can petition the court for re-entrance.

Per a release from the AG's office:
This decision comes after Toledano repeatedly violated a 2019 agreement with the Office of the Attorney General (OAG) that required him to stop harassing New York City tenants and stop engaging in illegal and predatory real-estate practices. 
"New York tenants can breathe more easily knowing that Rafi Toledano is no longer in the real estate business," said James. "Through his deceptive and illegal actions, Toledano caused incredible pain and suffering to hundreds of vulnerable families, who are still feeling the effects of his harassment today. Every New Yorker deserves to live in a safe, decent home free of abuse and fear."
Here's some of what James found from her previous investigation:
" ... established that Toledano engaged in a pattern of fraudulent and illegal conduct throughout his work as a landlord and real estate developer. Toledano harassed tenants in the East Village through coercive buyouts and illegal construction practices, and failed to provide his rent-regulated tenants with utilities, repairs, and other necessary services. 
Toledano also engaged in deceptive business practices in his real-estate transactions, including repeatedly and persistently misrepresenting himself as a lawyer and advertising apartments with three or four bedrooms, when legally the apartment could have one or two bedrooms only."
The AG's office outlined how Toledano violated his 2019 agreement: 
  • Failing to disclose his real-estate business activities to the independent monitor or to get the monitor's approval for further deals 
  • Diverting funds from a reserve account established by the agreement 
  • Failing to make penalty payments (other than initial payments totaling $520,000) 
  • Failing to maintain his properties in a manner that complied with applicable laws and protected tenants' rights, health, and safety.
It's not immediately clear how many properties Toledano still owns. 

Last May, Madison Realty Capital (MRC) closed on Toledano's bankrupt East Village portfolio. Toledano had received $124 million in cash and lines of credit from MRC to finance his $97 million purchase of the buildings. 

Toledano purchased 28 buildings in two separate portfolios from the Tabak family for a total of $140 million in 2015. Experienced real-estate players raised red flags about Toledano's heavy reliance on debt.  

In an interview with The Real Deal in June 2016, Toledano, then 26, made "frat-tastic boasts about his wealth," including: "I'm worth a fuckload of money, bro."

Enchantments is ready to cast a spell in new home on Avenue B

Enchantments is expected to open this week in its new home at 165 Avenue B between 10th Street and 11th Street. (Thanks to Salim for the photo last week!

The longtime (nearly 40 years!) occult-themed shop that sells custom-carved candles, incense and books, among other items, left its previous home at 424 E. Ninth St. between Avenue A and First Avenue last month. 

You can check out the Enchanments website and/or Instagram account for exact opening times this week. 

The new outpost is conveniently located next door to the just-opened Hekate Café & Elixir Lounge

Glad to see someone finally settling into 165 Avenue B... the last full-time retail tenant here was the excellent junk-thrift shop Waldorf Hysteria, which closed some 15 years ago.

A reminder to keep Two Bridge's Diner in your dining plans

Several LES residents (and EVG diner aficionados) are spreading the word to keep Two Bridge's Diner on Canal Street in your dining plans. 

Teddy Vasilopoulos, whose family has operated diners down here dating to the early 1970s (Landmark Diner, Cup & Saucer, Everest Diner), is currently on the injured list. 

The folks at the family-run tofu shop Fong On shared this via Instagram:
He’s currently ... recovering from an accident when he was pinned by his own food truck outside of Two Bridges. 
Now his brother is helping and covering for him until he gets better, which maybe a while. So please go support his business so that he’s got something to come back to.
Two Bridge's Diner is at 89 Canal St. just west of Eldridge ... and just west of the Cup & Saucer, which Teddy's brother John operated for 30-plus years before its rent-hike-induced closure in 2017. John and Teddy opened Two Bridge's in June 2019 (after a brief stint as the Greek Shack). 

Find the Two Bridge's menu here. The phone: (212) 925-2963

Astor Place Wegmans watch, automatic sliding doors edition

The buildout for Wegmans at 770 Broadway on Astor Place has entered a new phase.

Today, reps for the grocer will appear virtually in a public hearing before the Landmarks Preservation Commission about a façade improvement at the landmarked building. (Thanks to Upper West Sider for the tip!)

Wegmans plans to ad automatic sliding doors — similar to the ones you'd find across the way at CVS or at Whole Foods on Union Square — to what will be a new entrance on Fourth Avenue.

Sliding-door fans can check out the detailed proposal here. (That link also includes info about the Zoom call.)

Receiving approval for sliding-glass doors might be one reason that this Wegmans outpost isn't scheduled to open until the second half of 2023.

As previously reported, Wegmans signed a 30-year lease last July for what will be the grocer's first Manhattan outpost. 

Kmart closed in this space after 25 years on July 11. Wegmans had agreed to buy out Kmart's lease to make this deal possible.

Previously on EV Grieve:

Monday, January 31, 2022

Monday's parting shot

Thanks to Ted Phillips for this photo at La Plaza Cultural community garden on Ninth Street and Avenue C yestersay. (Some more kids were there today.) Some local residents built the ramp Saturday by packing snow on the amphitheater seats.

6 posts from January

A mini month in review... with a cold-morning photo from 14th Street. 

• Behold the 21-floor office building that's replacing the B Bar & Grill on the Bowery (Jan. 25

• RIP Billy the Artist (Jan. 23

• Officials: Police arrest teen accused of starting the fire that destroyed the Essex Card Shop (Jan. 20

• A visit to Via Della Scrofa (Jan. 20

• A look inside the new Empire Cannabis Clubs on the Lower East Side (Jan. 19

• The March Hare is closing so the owners can focus on health and family (Jan. 14)

A benefit for the Essex Card Shop

Art of the old Essex Card Shop storefront by Leah Tinari 

Goodnight Sonny is hosting a benefit tomorrow (Tuesday, Feb. 1) evening from 5-8 for the fire-damaged Essex Card Shop, 47 Avenue A. 

Local artist Leah Tinari is organizing the event. All proceeds (plus tips)  from the three hours will help rebuild the longtime Card Shop, which was destroyed in a fire on Jan. 10. (There is also a GoFundMe campaign to support the family-owned shop cover expenses and lost income.) 

As previously reported, a 13-year-old boy had been charged with second-degree arson. 

Goodnight Sonny is at 134 First Ave. on the NE corner at St. Mark's Place.

Thayer is opening a bookstore and cafe at 99 Avenue B

This spring, Thayer, an independent press, is opening a bookstore-cafe at 99 Avenue B between Sixth Street and Seventh Street.

Thayer founder Matt Lally confirmed the arrival in an email, noting the space will serve as its HQ along with a storefront offering books, coffee and pastries as well as beer and wine in the evenings. (They are on this month's CB3-SLA docket for the beer-wine license, though, having received administrative approval, they will not appear before the committee.) 

Thayer currently publishes a biennial magazine of short fiction, poetry and photography ... with plans for a debut novel this spring. 

No. 99 was previously Manitoba's, Handsome Dick Manitoba's namesake bar, which closed in June 2019 after 20 years in service.

Lally, who described himself as a punk rock kid in his youth, said that he wanted "to do right by the legacy of the space." 

You can keep tabs on Thayer via Instagram.

H/T Stacie Joy!

[Updated] Pizza Girls coming soon to Avenue B

Coming soon signage arrived late last week on the SE corner of Avenue B and Second Street for Pizza Girls (thanks to Salim for the pics!)
We don't know anything just yet about the incoming business (other than the name!). Checking for more info. Update! "Pizza Girls" is a reality TV series about women in the pizza business in Italy. A new season will apparently be filmed here. Follow them on Instagram for more. Filming is expected to start this spring. (Thanks to Matt for the tip.) 

Here's more via an interview with series director Carlo Fumo (this Q&A is from a year ago, and some of the info may be outdated now):
You told me the tv format is also destined for a foreign market: you mentioned the United States, where you regularly go for the movie festival you organize. What kind of interest are you expecting abroad?

We’ll probably see a Pizza Girls USA already in 2021. And we will shoot it on location, in a pizzeria in the heart of Manhattan that will be named after the show. It is a topic of interest for other countries: pizza is a universal brand, earning large profits around the world. It's a wonderful thing, the same way, I always say, women are the wonder of our world: these two things together guarantee a powerful project. That's why we wanted to talk with the foreign market from the beginning. The format will be the same, of course, it will adapt to the country, based on the audience's taste in terms of TV and pizza.
This corner space was home to the Wafels & Dinges cafe (and corporate office) for nearly eight years. W&D, which still operates from kiosks and food trucks around the city, moved out last March.

Openings: A trio of quick-serve vegan options

Three new vegan options opened around the neighborhood last week. (H/T to Matt @vegan.nyx)

A quick recap: 

• PLNT Burger's first NYC outpost opened last Monday at 139 Fourth Ave. between 13th Street and 14th Street. (Previously on EVG.) 

The Virginia-based chain, started by celebrity chef-Food Network star Spike Mendelsohn, has multiple locations in the mid-Atlantic region. You can find the PLNT menu here

The space, with room for several diners, is open from 11 a.m. to 9 p.m. 

• Raíz Modern Mexican is up and running at 120 First Ave. (not 120A and 120 1/2!) between Seventh Street and St. Mark's Place. 

As previously noted, Raíz is a plant-based, fast-casual restaurant featuring burritos, tacos, salads and bowls. You can find a menu here. 

They are open Tuesday-Sunday from 11 a.m. to 10:30 p.m. 

• Vegan Grill, a quick-serve, plant-based restaurant, debuted Thursday at 58 St. Mark's Place between First Avenue and Second Avenue. (First reported in October.) 

The business got its start in late 2019 on Castle Hill Avenue in the Bronx; this will be its third outpost after a grand opening in Williamsburg earlier this month. 

You can find a menu here and some food pics on Instagram

Hours: 10 a.m. to 10 p.m.

Top pic via Instagram

Sunday, January 30, 2022

Noted

As seen today on the NE corner of Third Avenue and St. Mark's Place... thanks to @unitof for the photo. 

Annnnd some background here.

Week in Grieview

Posts this past week included (with takeout for two via Derek Berg) ... 

• RIP Billy the Artist (Sunday

• More details about the fire that destroyed the Essex Card Shop (Wednesday

• Behold the 21-floor office building that's replacing the B Bar & Grill on the Bowery (Tuesday

• RIP David Simon (Wednesday

• Report: Madison Realty Capital can proceed with takeover of long-empty P.S. 64 (Wednesday

• Hekate Café & Elixir Lounge debuts on Avenue B (Thursday

• Last weekend in business for Dress Shoppe II (Friday

• Oddly configured Walgreens is closing on Union Square (Monday

• Nai Tapas Bar set to open in new 2nd Avenue home (Monday

• The latest at East River Park: night work at Delancey; passive lawn set to debut (Monday) ... Reader report: The new passive lawn in East River Park is a 'sodden mess' (Tuesday

• [plant-baked] returns today with limited hours (Friday

• A new broker for 20 St. Mark's Place (Wednesday

• The Bronx Brewery announces itself on 2nd Avenue (Thursday

• Openings: TLK on 3rd Avenue (Friday

• TD Bank is shrinking on 3rd Avenue (Thursday

• Another taker for 179 Essex St. (Monday)

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Follow EVG on Instagram or Twitter for more frequent updates and pics.