
From earlier today... when a mockingbird was hassling Christo, the adult male red-tailed hawk of Tompkins Square Park ...

Thanks to Steven for the photos!
Despite the Archdiocese’s best efforts to maintain the operational and financial viability of the school, continuing to educate students in a building that is underutilized and in need significant improvements has proven unfeasible.
St. Brigid School students will have the opportunity to continue their Catholic education at another nearby Catholic School...
Built in 1884 for the YMCA as the Young Men’s Institute, 222 Bowery is renowned for the many now-famous artists who lived, worked and played in this landmarked gem. "Afterparty" will explore downtown artists, peeling back their stories to reveal multiple layers of NYC history before the former studio is converted into commercial space later this summer.
Lured by cheap rents and vast lofts, artists began populating the Bowery in the late 1950s. By 1965, there were over 100 painters living along the Bowery, among them Cy Twombly, Robert Indiana, Al Loving and Elizabeth Murray.
The building’s former gymnasium is significant for having been Rothko’s studio, where he painted the infamous Seagram Murals commissioned by The Four Seasons Restaurant in 1957.
Peculiar Works Project’s creative team is designing an intimate, promenade journey through the historic architecture and artistic legacy of the building. Along the way, multi-disciplinary performances will reinterpret the legendary art parties attended by art-world luminaries — Jasper Johns, John Giorno, William S. Burroughs, Eve Hesse, Jonas Mekas, Roy Lichtenstein, LeRoi Jones, Diane DiPrima, Sol LeWitt, Andy Warhol and more — against the backdrop of Rothko’s struggle between achieving success and selling out.
Audiences and performers will sit around a table together in the paint-splattered space and experience a theatrical conjuring of artistic ghosts whose impact echoes till this day.
The current owners of the space are seeking to rent it to anyone willing for the tune of $15,000 per month (for either residential or commercial use). The sum is shockingly substantial, particularly since the building does not have an elevator, while the roughly 800-square-foot studio has no kitchen, nor an updated shower or bathroom. But it does still have Rothko’s paint flung about the wooden floorboards (after the artist left, American-born Abstract Expressionist painter Michael Goldberg moved in to the space and applied coats of primer to the floor so that Rothko’s mark would always remain).
The 14th Street Coalition — which comprises property-owner groups in Tony Chelsea, the West Village and the Flatiron District — says that the Department of Transportation’s proposed “busway” violates state environmental law because the agency didn’t conduct a serious assessment of the impact that banning cars from 14th Street would have on neighboring residential streets.
“Closing 14th Street to vehicular traffic would not only cause horrific traffic jams on 12th Street, 13th Street, 15th Street, 16th Street, 17th Street, 18th Street (a street with an MTA bus depot at the corner of Sixth Avenue), 19th Street, and 20th Street, it would also cause traffic on north-south avenues including Eighth, Seventh, Sixth, Fifth, Fourth, and Third Avenue, and Broadway, and Park Avenue,” the suit, filed by lawyer Arthur Schwartz. “The traffic will bring with it air pollution and noise pollution.”